Tuesday, 23 January 2024

SIOUXSIE & THE BANSHEES - BBC Session 1995 (Flac) *Special Post* #4



The last studio session that Siouxsie & the Banshees recorded for the BBC. The band released their final album 'Rapture' in 1995 before being dropped by their record company. In 1996 they split after more than twenty years together.

This is a stunning quality recording and performance.

Special Post #4

SIOUXSIE & THE BANSHEES
Mark Radcliffe Session
BBC Radio One FM
Jnauary 18, 1995

01. Studio Banter
02. O Baby
03. The Double Life
04. Studio Banter
05. Falling Down
06. B Side Ourselves

The Band:
Siouxsie Sioux (Vocals)
Budgie (Drums)
Steven Severin (Bass)
Knox Chandler (Guitar) ex Pyschedelic Furs
Martin McCarrick (Cello)

Lineage:
Memorex dBSI 90 > JVC TD-WE91 > Realtek AC97 Audio > MAGIX music studio generation 6 deLuxe > WAV > Flac 8 > rp61hawk > DIME

"Unlike other Radio 1 programs which played pre-recorded sessions, Mark Radcliffe sessions were actually played live on the spot throughout the programme. Which also meant that we could hear any mistakes, cock-ups or the true brilliance of bands which were sometimes covered up in the production room.

But not only did we get to hear some great bands do what they did best, we got to hear some studio banter by the way of questions being fired at the band. Which at times led to some unimaginable hilarious moments.

To get an idea of how that may sound, I've included all the studio banter I had alongside the tracks. This recording as with my other BBC broadcast torrents has come from my own personal collection of old cassettes." (rp61hawk, the original uploader)

LINK

Monday, 22 January 2024

BOB DYLAN - Theme Time Radio with your host... *Special Post* #3

Originally I began this blog with a famous Dylan bootleg 'A Tree With Roots' and an associated email. During the blog life some of those posts have been officially released and were subsequently removed. I then included some additional posts to allow some leeway and ensure that the listing will be relevant for some time to come. 

For this special post #3 we return to Dylan but with a difference, Dylan is the disc jockey, this promo item was compiled by me some years ago. A celebration of Bob Dylan's DJ career on Theme Time Radio. It selects some of the best stories, guest spots, email replies and of course music that Bob played on his first series of the show.



THEME TIME RADIO WITH YOUR HOST BOB DYLAN

Best of Volume 1

The Theme Time Radio shows have all been made available on the Internet.

This post is a promotional compilation of shows that I recorded from the BBC 6 music digital channel using a Sony minidisk separates deck. That means like the other circulating shows these are also lossy but at present this is the only audio format these shows are available in.

It gives you an idea of why these programmes were so well received and unlike the official compilation releases that spectacularly seem to have missed the point of the original shows; this compilation includes ALL of Bob’s comments and links between songs, including the show’s introduction by Ellen Barkin.

If you want to hear what is so special about these shows, download and listen to the in-between song links for Frank Sinatra’s “Summer Wind” and the Clancy Brothers & Tommy Makem’s “Whiskey You’re The Devil”

Best Of Volume 1 is compiled from some of the early shows from series one:

#1 Weather

#2 Mother

#3 Drinking

#5 Coffee

 

VOLUME ONE

 1.  MUDDY WATERS - Blow Wind Blow

 2.  JOE JONES - California Sun

 3.  JIMI HENDRIX - The Wind Cries Mary

 4.  IRMA THOMAS - It’s Raining

 5.  SLIM HARPO - Rainin’ In My Heart

 6.  FATS DOMINO - Let The Four Winds Blow

 7.  STEVIE WONDER - A Place In The Sun

 8.  FRANK SINATRA - Summer Wind 

 9.  JAN BRADLEY - Mama Didn’t Lie

 10. MEMPHIS SLIM - Mother Earth

 11. LL COOL J - Mama Said Knock You Out

 12. ROLLING STONES - Have You Seen Your Mother Baby, Standing In The   

      Shadows?

 13. MARY GAUTHIER - I Drink

 14. JIMMY ROGERS - Sloppy Drunk

 15. JOHN LEE HOOKER - One Bourbon, One Scotch, One Beer

 16. CLANCY BROS. & TOMMY MAKEM - Whiskey You’re The Devil

 17. SQUEEZE - Black Coffee In Bed

 18. OTIS REDDING - Cigarettes And Coffee

 19. LIGHTNIN’ HOPKINS - Coffee Blues

 20. BOBBY DARIN - Black Coffee

 21. ELLA MAE MORSE - Forty Cups Of Coffee

The first episode of Theme Time Radio hour was broadcast May 3, 2006 on of XM Satellite Radio, a subscription-based satellite radio service. From 2006 to 2008 AOL Radio offered the show on broadband Internet connection.

Season 3 finished with the 100th show appropriately “Goodbye”, on April 15, 2009.

There were 101 shows, but 'Kiss' was an unbroadcast programme.

The original versions circulating on the Internet are from these satellite or streaming web broadcasts. Series one of the programmes aired in the UK from Christmas 2006 on through 2007. The first three series are still available on the Pirate Bay.

The shows are streamed frequently on the net see:

http://www.themetimeradio.com/cat/themetime/season1/

or hear the first five episodes of series one here via a stream or download link:

https://archive.org/details/bdthemetime1

If you just want to get a taste of what all the fuss was about, try my promo compilation here:

LINK


Below is a review of the first programme:

DJ Bob Dylan Plays Sinatra, Garland, Hendrix on XM Radio Show

By Rick Warner May 4, 2006

May 4 -- Growing up in the remote Iron Range of northern Minnesota, Bob Dylan was an avid radio listener. The songs, stories and news he heard from faraway places gave him a vital connection to the outside world.

"I was always fishing for something on the radio,'' he recalled in "Chronicles: Volume One,'' a memoir published in 2004. "Just like trains and bells, it was part of the soundtrack of my life.''

Dylan is now contributing to that soundtrack with his own weekly show on XM Satellite Radio. Called "Theme Time Radio Hour,'' it features an eclectic mix of music from Dylan's personal collection that revolves around a theme like cars, mothers or whiskey.

Yesterday's promising premiere focused on songs about weather, from Muddy Water’s "Blow Wind Blow'' and Jimi Hendrix's "The Wind Cries Mary'' to Judy Garland's "Come Rain or Come Shine'' and Frank Sinatra's "Summer Wind.'' The 18-song play list also included lesser-known performers like the Consolers ("After the Clouds Roll Away''), Sister Rosetta Tharpe ("Didn't It Rain''), Lord Beginner ("Jamaica Hurricane'') and Slim Harpo ("Rainin' in My Heart'').

Dylan must be the only disc jockey in the universe to play Dean Martin, the Prisonaires, Irma Thomas, Stevie Wonder (singing in Italian) and the Carter Family on the same show. Cousin Brucie, he's not. The show reflects Dylan's heterogeneous tastes; blues and jazz, country and gospel, folk and soul -- Dylan has assimilated almost every type of music and fused them into one of the most distinct and influential sounds of the rock era.

I'm sure lots of folks laughed when they heard Dylan was going to do a radio show. But this is no David Lee Roth gimmick, no washed-up rocker desperately trying to revive his career by becoming a DJ. (Roth was a flop as Howard Stern's replacement on CBS Radio, lasting only three months before getting fired.)

Dylan's passion for old-time radio, combined with his reverence toward American musical traditions, make this just the kind of niche program that fee-based satellite radio is made for. Sirius has Stern, Martha Stewart and Jimmy Buffett; XM's got Dylan, Oprah (coming in September) and Tom Petty.

The debut show opens with the sound of pouring rain, followed by a woman's film-noirish narration: "It's nighttime in the big city. Rain is falling. Fog rolls in from the waterfront. A night-shift nurse smokes the last cigarette in her pack.''

Dylan, in his gravelly, three-pack-a-day voice, describes the program as a conglomeration of "dreams, schemes and themes'' before introducing the first song by "the great Muddy Waters -- one of the ancients by now, whom all moderns prize.''

Before and after each song, Dylan offers tidbits and trivia that put the tunes in historical perspective. We're told that "You Are My Sunshine'' was written by former Louisiana Governor Jimmie Davis, that Elvis really wanted to be Dean Martin, that Judy Garland was from Minnesota, that Hendrix was "trying to write a Curtis Mayfield song'' when he composed "The Wind Cries Mary,'' and "Just Walkin' in the Rain'' was written by a Tennessee prisoner serving a 99-year sentence for rape.

"But, you know, for a black man in Tennessee in the '40s, rape could have meant just looking at a wrong white woman in a wrong way,'' Dylan reminds us.

Adding to the old-fashioned flavor are vintage radio jingles and sound effects. In future shows, Dylan will answer e-mails from fans and get contributions from guests like Elvis Costello, Charlie Sheen and Penn Jillette. I can't wait to hear what Sheen thinks of "Subterranean Homesick Blues.''

While the music alone is enough reason to listen, I'd like to hear more personal anecdotes and commentary from Dylan. Though he's notoriously inarticulate in interviews, Dylan can be a wonderful storyteller when he wants to be, as he proved in his memoir and the recent Martin Scorsese documentary "No Direction Home.''

How many DJs, after all, can pull off an introduction like one Dylan gives to Sinatra's "Summer Wind'' ? Backed by the sound of a whipping wind, Dylan paints a graphic picture of those "hot, dry Santa Anas'' that fuel raging wildfires in Southern California.

"It's hard for people who've not lived on the West Coast to realize how radical the Santa Ana figures in the local imagination,'' he growls. "West Coast weather is the weather of catastrophe. The Santa Ana winds are like the winds of the apocalypse. But the summer wind that Frank is singing about may be a little lighter. Come on in, Frank.''

And welcome, Bob, to the magical world of radio.

Sunday, 21 January 2024

THE BLUE NILE - In Search Of The Blue Nile (Documentary) *Special Post* #2

The second in a short series of special posts is unusually for the blog a radio documentary. This has been posted elsewhere but with the ongoing interest in the Blue Nile, it seems an ideal opportunity to post it here, especially as it's one I recorded myself some three years ago.


In Search Of The Blue Nile' Documentary
BBC Radio Scotland FM
Friday 18 August 2017
9pm


01. 'In Search Of The Blue Nile' Documentary

Much is made of the fact that the Blue Nile have only released four albums in their lifetime. A career that is a prime example of quality over quantity with two outright classics in “A Walk Across the Rooftops” and “Hats”. The final release 'High' sounds better as the years pass, although as you will hear, Paul Buchanan says the band should have finished years before its release.

Peter Gabriel, Elbow and Ryan Adams are among high profile fans of The Blue Nile and this labour of love documentary 'In Search of the Blue Nile' was made by journalist, documentary-maker and musician, Ken Sweeney. He travelled to Glasgow in 2016 to interview Paul Buchanan and PJ Moore and see the sights and sounds of Glasgow's landscape that are inextricably linked with their music. As the documentary progresses Sweeney discusses the decisions, good and bad that the group made during their long career.

The documentary was first aired on RTÉ Radio One (10pm on Wednesday, December 28, 2016) and received its first broadcast on BBC Radio Scotland at 4pm on Easter Monday 17 April, 2017 with Donal Dineen, Tom Dunne and Mark Cagney among the contributors. The documentary received a repeat broadcast by the same station on Friday 18 August, 2017 at 9pm.

This is my FM recording of that repeated show. There is some sibilance on the recording, a result of me being on the outer limits of the FM reception area. It shouldn't spoil your enjoyment too much. This is a superb documentary about a most unique group.

One final comment, on playing 'Tinseltown' recently my wife said, "Kate Bush" as the track began, and it does indeed sound like the rhythm Kate used on her single a year later, 'Running Up That Hill'.

Lineage: Denon Tuner TU-260L > Audacity 2.1.3 > 16bit 44kHz > WavLab 6 > (edit and fades) > TLH > Flac 8

thebasement (November 2017)

+ 3 demos

02. Young Club (demo recorded between 1985-86)
03. Broadway In The Snow (demo recorded between 1985-88)
04. Tinseltown In The Rain (demo recorded between 1985-88)

These were obtained in mp4a some years ago and are passed on the way I received them.

 LINK

 

Further Listening: The four albums the band have released since 1983, are all essential purchases.

               A Walk Across The Rooftops (Linn Records) 1983

 

                      The Blue Nile ‎– Hats (Linn Records) 1989

 

                  The Blue Nile - Peace At Last (Warner Bros) 1996

 

                          The Blue Nile - High (Sanctuary) 2004



Saturday, 20 January 2024

LAURA VEIRS - The KCRW Sessions (Flac) *Special Post* #1

Some years ago I uploaded a series of special posts to add a little more variety to the blog. They included some well known names but also artists not previously featured. These were discarded and then reposted to the blog about five years ago. Some have quite short running times and were lost in the depths of the blog. I've decided to bump them up in position near to the top of the blog (date wise) as they have more in common with some of the recent posts and should be of interest to newer blog readers. If you've been following the blog for a while you will probably already have these.

I pulled out Laura's 'July Flame' album tonight for listening. It's an attractive digipak with a free poster variation of the front cover and lyrics included on the back. That led to me listening to these KCRW sessions and the thought it would be worthwhile promoting these again. 

SPECIAL POST #1

This was another disc I pulled from the DM's box under the stairs. It featured a Laura Veirs session from 2010. Her latest KCRW session was broadcast recently to promote the new album The Lookout. Both sessions are included together in one post, if you still burn to CDr both will fit onto a single disc.

"Laura Veirs grew up in Colorado Springs, Colorado, where she often spent summers camping with her family, which gave her much of her songwriting inspiration. Veirs has said that she didn’t seriously listen to music until she was in her 20s; instead, she just heard what was in her environment. She listened to folk, country, classical and pop music around the house and on the radio during her youth.

Attending Carleton College in rural Minnesota, Veirs latched onto feminist punk rock from the Pacific Northwest, eventually starting an all-female punk band called “Rair Kx!”. Laura studied geology and Mandarin Chinese. After college, she embraced older country and folk music. Her first foray into songwriting started with a geological expedition in China, where she served as translator. She was miserable and immersed herself into writing lyrics as a way of coping."



Laura Veirs - Live in Session on Morning Becomes Eclectic, 2010
KCRW Radio FM Broadcast, Santa Monica, California

Live In Studio Session at time of broadcast
Aired: Tuesday March 9, 2010

Lineage: FM > Onkyo HT-R520 > Analog Out > HHB-CDR 800 > Taiyo Yuden CDR. WAV  > TSSTcorpCDDVDW SH-S202N > EAC > CD WAVE Tracking > Flac.8)

01. Intro
02. Wide Eyed, Legless
03. Sun Is King
04. Carol Kaye
05. July Flame
06. Interview with Jason
07. I Can See Your Tracks
08. When You Give Your Heart
09. Life Is Good Blues
10. Spelunking
11. Make Something Good
12. Song My Friends Taught Me (incomplete)

Additional Lineage:
Original download > HD files flac > dbPoweramp WAV > editing WavLab6 > TLH (Flac 8)

LINK 1

The Band:
Laura Veirs - Vocal, Guitar & Loops,
Eric Anderson - Bass, Drums & Vocal,
Alex Guy - Viola & Vocal,
Nelson Kempf - Keys, Bass & Vocal

JULY FLAME (2010)
"On this album, Laura Veirs parts company with Nonesuch and opts for a self-release in the USA, via her Raven Marching Band Records imprint, with a Bella Union airing in the UK. After 2007's Saltbreakers it wouldn't have been unreasonable to have expected Veirs to have catapulted into far broader success, but on July Flame she maintains the hallmarks of her cult status, all underpinned by an honest approach to song-craft that's never overcooked or outwardly commercial.

The record (produced with Decemberists collaborator Tucker Martine) sounds brilliantly put together, and tellingly, remains intimate and humble even when Veirs starts to pile up the arrangements, as on the great, string-stacked title track, or the miniaturised orchestrations of 'Silo Song'. There's nothing quite so immediate as 'Don't Lose Yourself' was on the last album, and the sequence gets off to a slightly sleepy start with the likes of the Fleet Foxes-esque 'I Can See Your Tracks' (which features My Morning Jacket's Jim James rather than any of Fleet Foxes) and the un-self-consciously countrified 'Sun Is King', but it's these more pared down moments that make the record such a joy on repeated listens.

This is a seriously strong collection of songs - possibly Veirs' best to date - and gives off all the right signals to suggest it might just be loitering around those end-of-2010 charts."




Laura Veirs - Live in Session on Morning Becomes Eclectic, 2018
KCRW Radio FM Broadcast, Santa Monica, California

Broadcast: Wednesday 23 May, 2018

01. Margaret Sands
02. Everybody Needs You
03. The Meadow
04. interview
05. Seven Falls
06. Watch Fire
07. Heavy Petals
08. True Love Will Find You In The End
09. The Lookout

LINK 2

 Lineage: FM Receiver -> CDRW700 -> EAC -> Soundforge -> FLAC

THE LOOKOUT (2018)
A prolific songwriter for nearly twenty years, Laura Veirs proves the depth of her musical skill on her tenth solo album, The Lookout. Here is a batch of inimitable, churning, exquisite folk-pop songs; a concept album about the fragility of precious things. Produced by Grammy-nominated Tucker Martine, Veirs’ longtime collaborator, The Lookout is a soundtrack for turbulent times, full of allusions to protectors: the camper stoking a watch fire, a mother tending her children, a sailor in a crows nest and a lightning rod channelling energy.

“The Lookout is about the need to pay attention to the fleeting beauty of life and to not be complacent; it’s about the importance of looking out for each other,” says Veirs. “I’m addressing what’s happening around me with the chaos of post-election America, the racial divides in our country, and a personal reckoning with the realities of midlife: I have friends who’ve died; I struggle with how to balance life as an artist with parenting young children.”

Written and produced on the heels of Veirs’ acclaimed album with Neko Case and kd Lang (case/lang/veirs), The Lookout integrates the fluency of collaboration with Veirs’ notorious work ethic. The twelve songs on the album are the result of a years’ worth of daily writing in her attic studio in Portland, Oregon.

“Twenty years ago when I was just starting out with my punk band, it never occurred to me to write five versions of a song,” says Veirs. “I’ve learned to see how malleable lyrics and melodies can be. I have more tools as a musician so I write many versions of songs until I find the right fit.” Such range is demonstrated on the operatic vocals of “The Meadow” and the intricate finger picking on “Watch Fire.” “The Lookout,” the album’s title track, is an ecstatic anthem to trusted relationships.

The Lookout draws on the talents of a time-tested crew of musicians: Karl Blau, Steve Moore, Eli Moore, Eyvind Kang and Martine. Says Veirs, “These guys are a good hang, ego-free and wonderful players who just want to serve the songs.” Sufjan Stevens and Jim James provide guest vocals.

For Martine, who fell, almost two decades ago, for Veirs’ unique sound after listening to a tape cassette she’d sent him in the mail, this album reflects a bar that keeps getting raised. Both familiar and strange, The Lookout gets better with repeated listens, warming to the skin like a cherished saddlebag, critical for the journey ahead." (http://bellaunion.com)

Wednesday, 10 January 2024

OMD - Electric Ballroom, London 1979 (Flac)

As 2023 slips further away I'm taking you back to December 1979 when one of the most successful UK bands of the 80's, were plying their trade as a support act. 

Forty-four years since that performance, while supposedly Christmas shopping! I came across a 2nd hand CD of OMD's second album 'Organization' which included bonus tracks that I'd never heard before. 

Subsequently later that evening, while looking through torrent sites I spotted this early live show and was impressed by the sound quality and performance. It's definitely worthy of a place on the blog. 

Seven of the tracks performed here appeared on their debut album, released on 22 February, 1980. The closing track is a cover of the VU song.


*ORIGINAL INFO*

Orchestral Manoeuvres in the Dark 

December 7th, 1979
Electric Ballroom, London


Another gem from Hans 'the madtaper" Devente. This is EXCELLENT quality.

01. Messages (4:37)
02. Bunker Soldiers (2:59)
03. Mystereality (2:49)
04. Julia's Song (4:13)
05. Red Frame White Light (3:18)
06. Almost (3:28)
07. Electricity (3:39)
08. Waiting For The Man (3:58)

Lineage:

Soundboard Master cassette > 24/96 > Flac(1 track) > Audacity (tracked/Balanced Channels/Tagged) > 24/96 Flac8

July 28, 2012: Taper/Transfer: Hans "the madtaper" Devente
Tracked and Seeded: 'Creatured' (Dimeadozen)

OMD opened for Talking Heads this evening.

Remaster info:

MULTIBAND REMASTER by the Digital Loyalist

This time i want to pay my tribute to true pioneers of British synth era.
It's a well know bootleg recording when they were a duo, Andy McCluskey, Paul Humphreys with their drum machine 'Winston' 

As always i wanted to improve this soundboard recording by Hans 'the madtaper" Devente by using Steinberg Multiband Compressor.

Shared originally by 'Creatured' on Dime, many thanks to him. Cheers, Viv

LINEAGE 2 (my version) =
Flac > Wav > Steinberg Multiband compression > Wav 16 bits 44.1 kHz > Flac level 8.

LINK





Friday, 8 December 2023

YOUNG MARBLE GIANTS - San Francisco 1980 (Flac)

 

Young Marble Giants
Western Front, Civic Center
San Francisco, CA
1980-10-26


THTP Release 47



Young Marble Giants originated in Cardiff, Wales during 1978. Their minimalism was influenced by the punk scene, but in sharp contrast they stripped their sound back to basics, creating music based around the vocals of Alison Statton and the sparse instrumentation of brothers Philip and Stuart Moxham.

Another John Peel band, the legendary DJ began playing their music on Radio 1 after the release of their album Colossal Youth. He introduced their sound to a larger nationwide audience. There is a ninety-minute recording of the show broadcast on Tuesday 26 August 1980, available on the John Peel Wiki that includes the Young Marble Giants session, listen to musical history as it was being made.

The band released their debut and only full-length studio album, Colossal Youth, in February 1980. The debut single 'Final Day' was released in April 1980 and two of the tracks 'Radio Silents' and 'Colossal Youth' were included in this live set. (Dates are according to Discogs, Peel played tracks from the album in early April and the single in June)

This recording was made and preserved by collector / engineer Terry Hammer, for broadcast over the UC Berkeley station KALX, one of many others from the 1979 -1981 period. Terry would get a decent feed from the sound mixing board, then mixed direct to 2-Track Reel To Reel (and Cassette deck for backup and personal use) using headphones. It was mixed using a dedicated mixing board, with an additional one to two audience microphones in the mix. 

These recordings were released on the Dime torrent site and provoked a storm of interest. They are easily found under the title 'Terry Hammer Tape Project' or THTP for short.

Setlist:
01. Dirk intro >
02. N.I.T.A.
03. Holidays
04. Choci Loni
05. Radio Silents
06. Music For Evenings
07. Colossal Youth
08. Searching For Mr. Right
09. Credit In The Straight World
10. Brand New Life
11. Include Me Out
12. Wurlitzer Jukebox > Dirk outro

Length: 35:51

Band:
Alison Statton - vocals
Philip Moxham - bass
Stuart Moxham - guitar, keyboards

Recording chain:
Stage mics > splitter (split to house snake/SBD and TH snake) > TH dedicated snake >
Peavy MkII 12 channel mixing board (10 channels snake, 2 channels audience mics) >
AKAI GXC-570D Cassette Deck (Dolby B on) > TDK SA-90 tape

Archival Process:
1999: Sony TC-KA3ES > TDK SA-90 tapes playback (NO Dolby) > BBE 462 Sonic Maximizer (to clean up tapes) > Tascam DA-30 DAT > HHb DAT-125 DAT tape
2002: HHb CDR-850 Professional CD Recorder (In real time) > HHb CDR74 Gold 100 year archival grade CDRs 2005: Transfered to HDD in AIFF file format

Dime release processing: AIFF Master Files > FFMPEG > 16 bit FLAC 8 > tagging, cover artwork, checksums. Recorded, preserved, and master AIFF files provided by: Terry Hammer

thebasement67: (16bit 48kHz files > WAV > 16bit 44.1kHz > Flac 8)

LINK


 

 

Sunday, 3 December 2023

A CERTAIN RATIO - Marc Riley session (2017)

This session was recorded and promptly forgotten about, languishing on my PC hard drive. It was only via the enclosed notes that I realised I had recorded it and not simply downloaded it from a torrent site.

I rediscovered it recently because my aging hard drive had started to make groaning noises on starting up. I transferred the files to a stand alone hard-drive. 

I'm making some of these early recordings available here on the blog, as it would have been a pity to have lost them. This is the 2nd edition and includes 'Shack Up'
 

A CERTAIN RATION - In Session

BBC i-player (UK)
BBC Radio 6 - Marc Riley Show
Monday, 11 December 2017 / 7pm-9pm


A Certain Ratio provide tonight's live entertainment, they formed in Manchester in 1978 and were signed to Factory Records. Pedigree. Tony Wilson and Alan Erasmus also managed the band.
The band plan to re-release some of their classic albums in November 2017, followed with a live show in December.
This session provides a little taster of what you can expect ... blurb from the BBC website.

00. Marc Riley intro
01. A Certain Ratio - Do The Du (session)
02. A Certain Ratio - The Fox (session)
03. A Certain Ratio - The Big E (session)
04. A Certain Ratio - And Then Again (session)
05. A Certain Ratio - Shack Up (session)
06. Interview - Marc Riley talks with A Certain Ratio
07. Barry Adamson - I Got Clothes (ACR rework)

This session was broadcast by BBC6 Music on Monday 11 December and recorded from the BBC i-player (UK)
Only three tracks were aired on Marc Riley's programme. The following show by Gideon Coe, broadcast a further session track 'And Then Again'. The final session track 'Shack Up' was broadcast the following evening of Tuesday 12 December, on the Marc Riley show.

The tracks have been edited together from these three sources. The music has been placed together at the beginning and the three interview parts that followed the first three songs have been edited to one track following the session. Finally a bonus track has been included at the end. The reason for its inclusion will become apparent after hearing the interview.

Lineage:  i-Sound Recorder for Windows 7/10 > BBC I-Player stream 320+kbps > Wavlab6 > WAV 16bit 44kHz > TLH > FLAC (8)

A Songs From Northern Britain production upgrade*
the basement (December 2017)

* The first edition was missing the final track and had a time-lag glitch, this has been rectified.

LINK 



Monday, 20 November 2023

SCOTT WALKER Special (Flac)

 

As mentioned on the blog previously I began recording radio programmes in June 2017, for the first time in approximately 14 years.

The first was a short session by Evening Hymns/Jonas Bonnetta, the third a 3-track session & interview with the Fleet Foxes on Jo Whiley's BBC Radio 2 programme. AVAILABLE HERE

This new post was the fourth and features a tribute to the music of Scott Walker. Jarvis Cocker of Pulp is a massive fan, listen to the influence and cinematic scope on their final album 'We Love Life' released in 2001, produced by Scott Walker.

For his mixtape he selects deeper cuts from Scott's back catalogue. Also included is a bonus track by Richard Hawley covering 'The Old Man's Back Again.' Unfortunately this was the only track I managed to record from the Proms tribute show.

Verity Sharp with Jarvis Cocker's Scott Walker mixtape - Late Junction
The latest in our series of mixtapes looks ahead to the Scott Walker Prom later this month, as Jarvis Cocker, a devotee of the pop-turned-avant-garde singer, curates lesser-known cuts from his catalogue.

Thursday 13 July, 2017 / 11pm
BBC Radio 3 FM


01. Jarvis Cocker: Scott Walker is an explorer (3:55)
02. Jarvis Cocker's Scott Walker Mixtape: (27:25)
The Walker Brothers - The Electrician | Nite Flights
Scott Walker - Blanket Roll Blues | Climate Of Hunter
Scott Walker - Clara | The Drift
Scott Walker - The Plague | Jackie EP
Scott Walker - Farmer in the City | Tilt
Scott Walker - Opening | The Childhood of a Leader (OST)
Scott Walker - It's Raining Today | Scott 3

Prom 15: The Songs of Scott Walker (1967–70)
An icon of the 1960s, Scott Walker has travelled from Walker Brothers teen idol to avant-garde contemporary musician, influencing artists from David Bowie and Leonard Cohen to Goldfrapp along the way.
Tonight's Late Night Prom tribute presents tracks from his four self-titled albums with live orchestral backing for the very first time. Among the special guests are Jarvis Cocker, John Grant, Susanne Sundfør and Richard Hawley.

Tuesday 25 July, 2017 / 10:15pm
BBC Radio 3 Lossless Stream (Live from the Royal Albert Hall, London)


03. Richard Hawley - The Old Man's Back Again (5:13)

Lineage: Denon Tuner TU-260L > DAC > Audacity 2.1.3 > 16bit 44kHz > WavLab 6 > (tracking & editing) > TLH > Flac8 (recorded by thebasement67)

Total running time: 36:33

LINK 



The brilliance of Scott Walker explained!



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