Work started on BAD's second album for Radioactive, “Entering a New Ride” during 1996. Chris Kavanagh and Gary Stonadge had already left the band, whilst guitarist Nick Hawkins played on the sessions, but left to form his own band Dynamo Jo, after the album was completed. New members Joe Attard (DJ/vocals), Bob Wond (drums/vocals), and Daryl Fulstow (bass/vocals) were recruited along with Ranking Roger (vocals) who had previously enjoyed success with both The Beat and General Public.
There were now two DJ's in the band, and the emphasis switched from the guitar driven music of the “F-Punk” album, to music that once again reflected current trends in UK club culture. Unlike “Megatop Phoenix” though, Mick's vocals were not present throughout the album, and he was credited as being the guitarist and MC. This meant other members of the group contributed more to the album vocally than on any previous BAD project, and it sounded somewhat different to anything the band had issued before. So different, in fact, that Radioactive Records refused to release the album when it was finished, as it seems they couldn't work out how to market a band who could change styles so dramatically from one album to the next.
Promotional copies of both the single “Sunday Best”, and the album were circulated, and Norman Cook a.k.a Fat Boy Slim gave the “Sunday Best” single the following enthusiastic review in Wax magazine:
“Mick Jones' Ladbroke Grove contingent return from an all too long absence with a shockingly good record. For my mind this venerable statesman of rock/dance crossover has a genius for keeping up with the pace of underground dance and incorporating it into his own sound. Mick carries on with his love affair with promoting London as his beloved metropolis after dark, but he's interjected the social/big beatbreaks and sirens to astounding effect. Remember this was the man who in the Clash introduced a generation of NME readers to rap, funk and reggae, and if you don't like the A side there's a tough instrumental on the flip. Go ahead London.”
Despite these positive comments Radioactive refused to change their stance, and both the single and the album remained officially unreleased. BAD fans started an internet campaign known as “BAD Aid”, in which all fans were encouraged to write to Radioactive records showing an interest in the unreleased album, and requesting its release, but despite a great deal of time and effort by a number of BAD fans the album remains in the Radioactive vaults to this day.
Pro-quality CDR copies have been circulating amongst BAD fans for a number of years now. So in the end the BAD fans didn't lose out, but the record company did, and in many respects so did the band, as the album really deserved it's full release, and the royalties that would have come from it.
BAD played two dates in Hull on August 9, and 10th 1997, as part of a Mick Ronson tribute, and this marked the first and last time that any of the material from the “Entering a New Ride” album was played live.
The BAD Sound System was formed during 1997 and consisted of DJ?s Mickey Custance and Joe Attard, Andre Shapps on keyboards and samples, and Mick as the MC. The Sound System held regular DJ sessions at Club Maximum in London, but it seems that Radioactive Records decision not to release the “Entering” album signalled the end of Big Audio Dynamite as a band, with the name only being associated with the Sound System after BAD's final appearances in Hull in August 1997.
1998 saw the BAD Sound System play further dates in the UK and Europe, and they also remixed records for other artists including DJ Punk Roc, and Hurricane #1 (1999). The official Big Audio Dynamite website: www.bad.co.uk was launched in 1999, and tracks and out takes from the unreleased “Entering a New Ride” album were made available as MP3's on the site.
The reformation of the original line up of BAD was officially confirmed on 25th January 2011 with the announcement of a 9 date UK tour, which delighted fans that had probably given up hope of ever seeing the band in action again. From late March to early September BAD toured the world, played festivals, and appeared on prime time TV. Reviews were good, with the better writers also pointing out that music the band recorded all those years ago, was not only influential but underappreciated too, and we finally saw the band get the acclaim they deserved for being so far ahead of the game all those years ago. (written by David Parker for planetbad.files)
The info above (in pdf format) was published in January 2012 and includes a pictorial history of Big Audio Dynamite and their releases. Until someone writes a history of the band, you will not find a better source of information about them. Available for download here: https://planetbad.files.wordpress.com/2012/01/planetbad1.pdf
Opposing forum reviews below:
"I think EANR was BAD's finest hour. This captured for me exactly what Mick was always trying to achieve Rock n Roll guitar with dance and other musical cross overs. EANR achieves this more than any of the other albums including This Is B.A.D. The way Mick uses Rock 'n' Roll guitar that glues all these dance influences together is in my opinion pure genius.
I love its urgency and energy and the way the songs build up the excitement, is where this album provides the best adrenalin rush, over all the other BAD material and thats really saying something.
The sharing of the vocals just lends the songs to be appreciated on so many layers creating an amazing organised chaos that was more punk than any other band i can think of.
I also like the way it splits fans from those that love it and those that hate it - for me that's what makes it really special and the fact we get a free rough copy which was never released just makes it a Legend. Not wanting to be geographical but this album is London street level at its very best and unique to the end with no commercial worth - yeah it is brilliant!"
and
"The template for Gorillaz. Maybe if they'd had more varied vocalists trading with Mick. Obviously that was the idea with Roger, but I'm not sure that was sufficient, and Joe and Mickey were monotone though they did have their "London street level" merits. Or maybe it was just too much to ask people to accept the project as "Big Audio Dynamite." MCA in the UK liked the Sunday Best single, but the album confused their marketing people. It wasn't "dance" enough. With Gorillaz, Damon was clever not to call it Blur plus he had the huge advantage of hiding his Britrock self behind a cartoon character. Mick knew that his image was in the way, and tried to finesse the situation but not enough.
There are three mixes of the album. The Acton mix with Roger, and two from Whitfield Street, where they remade most of the tracks over. There's a mix from Mick and one from the engineer. The one from the engineer is the one they gave away."
Tracklist
01. Man, That Is Dynamite! (6:23)
02. B.A.D. And The Night Time Ride (4:55)
03. Sunday Best (4:20)
04. Must Be The Music (6:08)
05. Taking You To Another Dimension (6:49)
06. Sound Of The B.A.D. (6:20)
07. Cozy Ten Minutes (8:11)
08. Get High (5:01)
09. Bang Ice Geezer (4:33)
10. On The Ones And Twos (4:59)
11. Nice And Easy (6:53)
The Band:
Mick Jones - Producer, Vocals & Guitar
Nick Hawkins - Guitar
Andre Shapps - Keyboards
Bob Wond - Drums
Ranking Roger - Vocals (removed from this version)
No longer available due to its semi official release status
