Wednesday, 1 August 2018
#114 PJ HARVEY - State Theatre, Sydney, 2012 (Flac)
State Theatre, Sydney
Australia.
19 January 2012
Triplej FM rebroadcast - 20 May 2012
Following extensive touring throughout the UK, Europe and the USA in 2011, to promote the release of the 'Let England Shake' album, that earned Harvey her second Mercury Prize and was crowned Album of the Year by well over a dozen mainstream publications. PJ Harvey travelled to the Southern Hemisphere for 5 dates in Australia and a final show in Tasmania. It would be 2016 before she again undertook such a large touring schedule. This show is from the penultimate date of that tour and includes the 12 tracks broadcast on Australia's TripleJ FM radio station, selected from the 21-song set list.
01. Live at the Wireless intro
02. Let England Shake
03. The Words That Maketh Murder
04. The Guns Called Me Back
05. Written On The Forehead
06. In The Dark Places
07. The Glorious Land
08. The Pocket Knife
09. Bitter Branches
10. On Battleship Hill
11. Come On Billy
12. Band intro
13. Angeline
14. Down By The Water
Lineage: Technics ST-610 receiver > Pioneer A-604R amplifier > Edirol R-09 (16bit 44.1khz) > USB > Macbook Pro > Sound Studio (tracking, fades, cosmetic edits) > xACT (fix SBEs + FLAC, md5, ffp)
Announcers' inane babble and station IDs removed. No music was harmed in the process. No attempt was made to reduce FM hiss which is only audible in the quiet bits.
from triplej website:
recorded: 19 January 2012
first broadcast: 14 May 2012
This January saw the illustrious PJ Harvey return to our shores to showcase her Mercury Award winning 2011 record, Let England Shake at a handful of intimate, sold-out shows. Here's your chance to experience the English songstress on-stage with longtime collaborators Mick Harvey, John Parish and Jean-Marc Butty, captured by the triple j Live Music team at Sydney's State Theatre.
FM from gjfatty
LINK
------------------------------------
complete setlist
State Theatre, Sydney
Australia.
Thursday 19 January 2012
1 let england shake
2 the words that maketh murder
3 all and everyone*
4 the guns called me back again
5 written on the forehead
6 in the dark places
7 the devil*
8 dear darkness*
9 the glorious land
10 the last living rose*
11 england*
12 pocket knife
13 bitter branches
14 on battleship hill
15 down by the water
16 c'mon billy
17 hanging in the wire*
18 the colour of the earth*
encore:
19 the piano*
20 Angeline
21 silence*
Saturday, 21 July 2018
#113 The Clash - Last Gang In Town (Rarities 1976-84) Flac
THE CLASH - Rarities 1976-1984
This version has the officially released tracks removed. The 5 Polydor demos are on the 'Sound System' box set, as are the 2 Combat Rock outtakes. 'Outside Broadcast' is on the 12" Radio Clash single and was released on the Clash - Singles 19CD box set. Not one of the best Clash remixes and best forgotten. Added are the three 'Kampuchea' benefit concert tracks. Listen to over 63 minutes of prime Clash, studio and live 'rarities'.
01 - Garageland (Complete Rude Boy Outtake)
This song is cut during the 'Rude Boy' movie. The scene cuts to Mick talking on the phone trying to get some amplifiers on credit from his supplier. Here is the complete track with its 'one microphone' breakdown.
02 - Pressure Drop (CBS Demo)
An alternate version produced by Lee Perry in August 1977. The keyboards are more prominent, as is Joe's rhythm guitar.
03 - White Man In Hammersmith Palais (Alternate vocal and lyric)
The superior 'Burton Suits, turning rebellion into money' lines are missing here. Joe's JA exclamation "Yeah, mon" on this is notably missing from the final version.
04 - All The Young Punks (CBS Demo)
This demo as you would expect has much rougher sound than the final Pearlman produced version. Some different lyrics near the end.
05 - Safe European Home (Music Machine, Camden Town 27.07.78)
Recorded on the 'Clash On Parole' tour, named after their earlier court appearance for the infamous 'Racing Pigeons' shooting incident. This track about Mick and Joe's first visit to Jamaica was one of the best on the 'Give 'Em Enough Rope' album. At this show the Clash were joined on stage by ex-Sex Pistol Steve Jones, adding fuel to the rumour, that Mick's replacement was being lined up.
06 - Lost In The Supermarket (Majestic Theatre, San Antonio, Texas 22.05.83)
A decent audience recording with Pete Howard on drums, at one of the warm up shows for the group's headling slot on the second day of the US festival in San Bernadino in California.
07 - Revolution Dub (Rude Boy Rock Edit)
An edit of the instrumental version of Revolution Rock
08 - Return To Brixton (1990 Jeremy Healy Remix)
A remix released on 12" vinyl. Beats International (ft Norman Cook) sampled the intro to 'Guns of Brixton' for their UK #1 single 'Dub Be Good To Me'. This remix re-samples some of that hit single.
09 - The Magnificent 7 (Dirty Harry Full Radio Mix)
A brilliant song and a ground-breaking track. The Clash soaked up the influences of early rap, during their time in NYC for the Sandinista sessions. There were many mixes and remixes but this is special, the original Mick Jones mix, featuring samples from the movie 'Dirty Harry' and the cartoon 'Bugs Bunny'. Mick would explore these ideas further with his next band, Big Audio Dynamite.
10 - Capital Air (With Allen Ginsberg - Bond's Casino Times Square, NYC 10.06.81)
During the Bonds residency in New York. Allen Ginsberg met the group backstage in their dressing room, he was invited on stage to perform, what he called "a poem that has chord changes".
11 - Should I Stay Or Should I Go (Mick Jones Produced Version)
The 'Rat Patrol from Fort Bragg' original version produced by Mick Jones with Joe singing in Spanish.
12 - Walk Evil Talk (From the Combat Rock Sessions)
Described as 'a spacey piano-based free jazz mood piece', here it's edited down from the original seven and a half-minute length.
13 - This Is England (Dutch 7'' Single 1984 Issued In Error)
Quite different, it's more fractured and dub-like than the longer 'Cut the Crap' version.
14 - Tommy Gun (Dunfermline Kinema 06.07.78)
Recorded live from the 'Clash on Parole Tour'
15 - English Civil War (London Lyceum 03.01.79)
This set opener, burns with energy, the furious guitar solos and raging vocals from Mick and Joe blow the album version into the dust.
bonus tracks (in place of cut OR tracks).
16 - Armagideon Time (Concert for the People of Kampuchea, London 27.12.79)
From the long out of print 'Concerts For The People of Kampuchea' vinyl LP. It featured a stellar line up of the new: The Clash, The Pretenders, The Specials, Elvis Costello & The Attractions and Ian Dury & The Blockheads along with the old guard of Paul McCartney & Wings, Queen and The Who.
17 - Bankrobber (Concert for the People of Kampuchea, London 27.12.79)
18 - London Calling (Concert for the People of Kampuchea, London 27.12.79)
Both of these tracks are taken from the JEMS tape that included a further 17 tracks, overlooked for selection on the original double album. It surprisingly has four tracks from British reggae group Matumbi, who didn't appear at all on the album track list.
Link
Thursday, 17 May 2018
#112 CAT POWER - Black Sessions 2008 (Flac)
This wonderful Black Session by Cat Power was originally downloaded sometime in early 2008-09 and saved to data disc, my method of backing up, before the price of separate hard drives dropped. I discovered it amongst a clutch of other discs stored in a Doctor Martens box under the stairs. The DM's are long gone but fortunately the audio files remain.
This is a solid contender for inclusion amongst the greatest Cat Power bootlegs. The sound quality is quite startling for an FM broadcast. The uploader's notes contain no information on the equipment used but it must have been a high grade audio system.
Many of the torrents I downloaded 10 years ago, have appeared in re-seeds but this one is not easily located (at the time of writing). The only flaw is that there is some interference to the FM reception, at points throughout this show, and that may have been a factor in excluding it from the original100 Greatest listing. A Sangatte commercial boot of the session is also in circulation. I've not heard it and it's possible that it may have been sourced from this recording. If it is a different source then it will need to go some to be superior to this.
The session focuses heavily on the then current (2008) release 'Jukebox'
Cat Power - Black Sessions
Studio, Maison de Radio France,
Paris, France
Recording and broadcast : January 23rd, 2008
Lineage : FM > CDWav > Flac > you
01. intro by Lenoir
02. Metal Heart
03. New York
04. Ramblin' (Wo) man
05. Silver Stallion
06. Lost Someone
07. Lord, Help The Poor And Needy
08. The Dark End Of The Street
09. Song To Bobby
10. Naked If I Want To
11. Don't Explain
12. Aretha, Sing One For Me
13. She's Got You (false start)
14. She's Got You
15. Lived In Bars
Recorded & edited by svp, for you. Bernard Lenoir's comments have not been removed,
remember that some folks here like to have it all.
LINK
LINK
Saturday, 3 March 2018
#111 RICKIE LEE JONES - Live in Amsterdam 1979
Rickie Lee Jones
Theatre Carré, Amsterdam,
The Netherlands,
3 September 1979.
This FM recording, broadcast by Dutch radio and features Rickie Lee Jones live from Amsterdam in 1979. Sound quality and levels vary as a result of the show being put together from two different sources. It could do with a little work, some fades and lowering the sound levels on a few tracks, but this is still an upgrade, compared to the previously torrented version of the show.
Rickie lee Jones left home as a young teenager. Her drunken travels along the West Coast of the US eventually led her to Los Angeles where she took waitressing jobs and honed her song writing skills in small clubs and wherever she could get a gig. She met Tom Waits and began a relationship, which would lead her to take song writing more seriously and her first taste of success came through credits for her own composition 'Easy Money' on Lowell George’s solo album “Thanks, I’ll Eat It Here”. On the strength of this and a four track demo, she signed to Warner Brothers and began work on her self titled debut album which although mainly written in 1978 was eventually released in 1979. She performs seven of its eleven tracks live during this Amsterdam show.
Original notes:
------------------
Digging through my box of old tapes I stumbled into this recording. A very good radio broadcast from her first promotional tour. Recorded and broadcasted by KRO Radio.
A different source was issued for sale on the bootleg “On Saturday Afternoons in 1979”
One song, 'Something Cool' was later released on the CD release of Girl at Her Volcano (first released as a 10 inch EP). This stereo recording, taken from two cassettes, gave me the possibility to patch a fade in and out on the last track. 'Sentimental Journey' track 6 is taken from my early seed and is in mono.
Setlist :
01 High Gear And Young Blood
02 Something Cool
03 Young Blood
04 The Last Chance Texaco
05 Weasel And The White Boys
06 Sentimental Journey
07 Coolsville
08 Easy Money
09 Chuck E’s In Love
10 Up On The Roof
11 On Saturday Afternoons In 1963
12 Jam and band introduction
Line up :
Rickie Lee Jones: vocals, guitars, keyboards
Neil Larsen: Keyboards
Buzzy Feiten: Guitars
Reggie McBride: bass
Art Rodriguez: drums
Steve Letzner: percussion
Larry Williams: saxophone
Track 1. High Gear And Young Blood is by The Larsen-Feiten Band (Rickie Lee's backing band)
Source : FM > Cassette > Audacity > CD Wave Editor > Flac
Another one from the box of old tapes !
LINK
https://mega.nz/#!Xo0THLrD!9oI--QXEtjjqNltKbWI6fnQ47uh9f7UBToDbl73-oqM
Friday, 29 December 2017
BOOTLEG PROMO 2017
What have we got here for you? A reggae version of a classic song by a rock artist, a legendary reggae artist playing acoustic, a tribute to Tom Petty, a rare Banshees session track, two killer sounding instrumentals and as they say much, much, more. Available for all, the link is at the bottom of this post.
I'm really pleased with the way this has turned out, especially the sequencing and sound levels which are quite balanced. As a diverse compilation of unreleased music it really flows well together. I hope you think so and enjoy it over the holidays. Festive greetings to everyone and have a great new year in 2018.
The 2017 Bootleg promo was compiled from stand-out tracks from bootlegs that were excluded from the document 'Best Bootlegs 2015-17' (the annual update will be available in January). Some of the tracks included were from sessions or live show broadcasts of only two or three tracks and it didn't seem feasible to include such short part sets. These tracks were saved in a folder throughout the year before finalising the selections for this compilation. Those selected for the best bootlegs document are the best, but this promo download will give you an idea of the quality that was necessary to have been included in the forthcoming document.
A previous promo disc from 2015 was mentioned in a Hi-Fi forum, a member was using it to test their audio equipment. Now I know that these tracks are high quality but that was a bit too much, certainly a compliment to the selections and the tapers that recorded them but I would suggest using official studio releases for that purpose.
As for the best boots document itself, work is ongoing. I've dropped the 'Best of the Rest' section (five of those titles have been added to the main body of the document), it was essentially a stop gap to deal with the avalanche of new and upgraded music that invariably appears each Christmas holidays. The season of goodwill certainly extends to the amazing efforts of collectors and uploaders responsible for this deluge.
BOOTLEG PROMO 2017
01. BECK - Black Tambourine (KCRW session, Santa Monica, CA. November 7, 2017) FM
Recorded live in front of a small audience, this is a standout not just from this session but of the album it appeared on. A rhythmic masterpiece from Beck
02. STEVE MILLER BAND - The Joker (live Beacon Theatre, New York. April 12, 1975) FM
An absolute classic and what a performance this is, Steve gets his reggae vibe on during this live extended version.
03. PETER TOSH - Creation (acoustic solo) (WHFS, Bethesda, MD. March 14, 1979) FM
A difficult to find CD 'I Am That I Am' was released with Peter's appearances on US radio, this track is still unreleased.
04. ANTHONY D'AMATO - I Won't Back Down (BBC RS session, Glasgow. November 28, 2017) FM
A poignant tribute for the sad loss of Tom Petty, a true American great.
05. LEONARD COHEN - First We Take Manhattan (live Kongresshaus, Zurich. May 21, 1993) FM
Sadly missed, Leonard is at his humourous best on this track. Taken from the upgraded FM source and not the bootleg included in the 100 greatest bootlegs listing.
06. SIOUXSIE & THE BANSHEES - The Double Life (BBC R1 session 1994) FM
An electronic dance rhythm collides with the Banshees 80's style on a rare session track, their last ever for the BBC?
07. SLY & ROBBIE - Taxi (BBC R1Xtra session, Jamaica 2017)
One of the most famous Jamaican dancehall riddims ever. The only lossy track here, from a digital BBC radio station session.
08. AUTOMATIC DLAMINI - Johnny Pineapple (Unreleased album 1990) SBD
From an unreleased album, ex-members Polly Jean Harvey and John Parrish went on to greater things but this is an impressive early song.
09. THE FALL - Dramatic (unreleased studio outtake, 2002 or '03) SBD
This instrumental has a real Joy Division feel to it and would have made an epic album track. An outtake from The Country On The Click album aka The Real New Fall Album.
10. SAVAGES - Adore (live Kagelbanan, Stockholm. March 6, 2016) FM
A standout track on this all-girl band's second album 'Adore Life'. This brilliant version is from a live show in Sweden.
11. WILCO - Cry All Day (live Chicago Theatre, Chicago, IL. February 25, 2017) FM
A live performance of one of the better songs from their latest album. This show warrants further investigation.
12. LUCINDA WILLIAMS - Car Wheels On A Gravel Road (acoustic solo) (WFMU session, East Orange, NJ. September 15, 1998) FM
An acoustic version of the title track from Lucinda's best known album.
13. MARTIN SIMPSON - Blues Run The Game (BBC R3 session, London. September 8, 2017) FM
A heartfelt cover of the Jackson C. Frank 60's classic.
14. NIRVANA - Marigold (studio outtake with cello)
Appeared during the Elmo leaks as an mp3, here it is in lossless.
15. RED HOT CHILI PEPPERS - Californication (live Whiskey-A-Go-Go, Hollywood, CA. August 31 2000) FM
A rare intimate! show in front of an extremely animated crowd at this small venue. A showcase for the talents of guitar player John Frusciante.
16. STATUS QUO - Roadhouse Blues (live Radiohuset, Stockholm. November 24, 1971) FM
While not reaching the heights of the 1976 version on the 'Live!' album, this is nevertheless a prime example of early Quo.
Dedicated to all those we have lost during 2017...............and for the Hi-Fi guys in France! Try this one on your sound system.
Compiled by the basement67 for the 100 greatest bootlegs blog (December 2017)
PROMO 2017 is here
Tuesday, 5 December 2017
#110 JOHNNY CASH - Radio Broadcasts (1956-59)
Johnny Cash & The Tennessee Two - Radio Broadcasts 1956-59
Country Style USA Radio - 12 November 1956
Country
Style USA Radio - May or June 1956
Guest Star Radio - 28 June 1959
Guest Star Radio - 28 June 1959
Johnny Cash - Vocals & Guitar
Luther Perkins - Lead Guitar
Marshall Grant - Upright Bass
There's an
amazing twang and reverb on these 1956 sessions. They should have just
let the band run through their entire repertoire. The Sun singles don't
sound like this. The freshness and vitality of the new blasts through
these recordings. They are quite awesome (despite the crackles) and I
say that as someone who only owns a single Cash cd. If you know anyone who is a
big Johnny Cash fan get this for them, you will make their day.
You can hear Sun recording artiste Johnny Cash perform all six sides of his first three singles, released on the label. Cry! Cry! Cry! b/w Hey Porter! released on June 21, 1955, So Doggone Lonesome b/w Folsom Prison Blues released on December 15, 1955 and I Walk The Line b/w Get Rhythm released on May 1, 1956. Johnny attempts his version of Rock Island Line, then follows it appropriately with an old time gospel cover. The third show on this set is from 1959, a year after Johnny had left the Sun label because of money issues and Sam Phillips refusal to allow him to record gospel music.
Country Style USA was a radio program syndicated by the US Army Band and Recruiting Services and broadcast as a recruiting tool for them. The series consisted of 15-minute radio and film programs produced from 1957 to 1960. To encourage people to listen to them they included sessions by the top country stars of the day. Each year 13 episodes were produced in Nashville, Tennessee, and distributed to local radio and TV stations.
Guest Star was produced by the U.S. Treasury Department in the 1940s and 1950s as a public service program. It featured a different often top-name "guest star" (singer, actor, comedian) each week to promote the sales of savings bonds.
You can hear Sun recording artiste Johnny Cash perform all six sides of his first three singles, released on the label. Cry! Cry! Cry! b/w Hey Porter! released on June 21, 1955, So Doggone Lonesome b/w Folsom Prison Blues released on December 15, 1955 and I Walk The Line b/w Get Rhythm released on May 1, 1956. Johnny attempts his version of Rock Island Line, then follows it appropriately with an old time gospel cover. The third show on this set is from 1959, a year after Johnny had left the Sun label because of money issues and Sam Phillips refusal to allow him to record gospel music.
Country Style USA was a radio program syndicated by the US Army Band and Recruiting Services and broadcast as a recruiting tool for them. The series consisted of 15-minute radio and film programs produced from 1957 to 1960. To encourage people to listen to them they included sessions by the top country stars of the day. Each year 13 episodes were produced in Nashville, Tennessee, and distributed to local radio and TV stations.
Guest Star was produced by the U.S. Treasury Department in the 1940s and 1950s as a public service program. It featured a different often top-name "guest star" (singer, actor, comedian) each week to promote the sales of savings bonds.
These
are from vintage radio broadcast transcription discs (at times you can hear the
original vinyl source which adds a certain resonance). The lineage is unknown but the original seeder says
"I received these many years ago in a trade and transferred them from cassette." There is no information on the transfer process.
"I received these many years ago in a trade and transferred them from cassette." There is no information on the transfer process.
The three shows compromise eleven
performances and were originally seeded by ‘brownstien’ on the Dime
tracker, 1 July 2006. Then by YardGnome’on the Traders Den, 21 August, 2006.
They were then reseeded by Aikowolf (on the Traders Den) in 2015 who discovered
the correct show dates. The microgaps between tracks exist on all three of those seeds.
I have run it through Wavlab and removed a few pops and clicks and repaired the microgaps via Traders Little Helper. The exact date of the second set from 1956 is unknown, it’s thought likely to be around May or June of that year.
I have run it through Wavlab and removed a few pops and clicks and repaired the microgaps via Traders Little Helper. The exact date of the second set from 1956 is unknown, it’s thought likely to be around May or June of that year.
12 November 1956 - Country Style USA Radio
01. Country Style USA Intro
02. Hey Porter
03. I Walk The Line
04. Join The Reserve For Youth Training Program advertising spot
05. Rock Island Line
06. So Doggone Lonesome
07. Country Style USA Outro
May or June 1956 - Country Style USA Radio
08. Country Style USA Intro
09. Folsom Prison Blues
10. Cry Cry Cry
11. Reserve For Youth Training Program advertising spot
12. I Was There When It Happened
13. Get Rhythm
14. Country Style USA Outro
28 June 1959 - Guest Star
15. Guest Star Intro
16. Country
Boy
17. Chat w/ Johnny
18. Don’t Take Your Guns To Town
19. Johnny Cash “Buy Savings Bonds” advertising spot
20. Buzz Adlam & His Orchestra - When It's Twilight On The Trail
21. Swing Low, Sweet Chariot
22. Guest Star Outro
17. Chat w/ Johnny
18. Don’t Take Your Guns To Town
19. Johnny Cash “Buy Savings Bonds” advertising spot
20. Buzz Adlam & His Orchestra - When It's Twilight On The Trail
21. Swing Low, Sweet Chariot
22. Guest Star Outro
These programmes were originally produced by the US Government and are now in the public domain. HERE
If you have enjoyed these live 50's performances, you may want to hear more and that's where you'll have to go down the official route.
Johnny's first live radio recording is included on Colombia's official bootleg series 'Bootleg Vol II - From Memphis To Hollywood'. He performs four tracks: Wide Open Road, One More Ride, Luther's Boogie and Belshazzar (Dylan fans will recognize this one). Columbia have wisely included the complete KWEM in Memphis show (broadcast on August 4, 1955) with the radio announcements and adverts, giving it a sense of time and place. It's a more primitive recording than the unreleased bootleg.
Johnny Cash & the Tennessee Two returned to Country Style USA Radio in 1957 and that performance including: Stay All Night Stay A Little Longer, There You Go, Give My Love To Rose and Home Of The Blues is available on the DVD: 'Various - Country Style USA: Season 2'
Finally Columbia's bootleg series 'Vol. 3: Live Around The World' has three tracks live at the Big D Jamboree in Dallas, Texas from 1956: So Doggone Lonesome, I Walk The Line and Get Rhythm.
Saturday, 28 October 2017
#108 TOM PETTY & the Heartbreakers - Capitol Records Tower 1977 & #109 STEELY DAN - The 'Lost' Gaucho
October began with a storm of bad news and the musical world was heavily involved. No music fan can fail to have been affected by the events of the last month and beyond.
There have been numerous heartfelt and well-deserved eulogies penned about the loss of so many legendary figures. This month both posts are a small tribute to two of the greatest musicians to have come out of the 70's, Tom Petty and Walter Becker of Steely Dan.
#108 TOM PETTY & THE HEARTBREAKERS - Capitol Records Tower, Hollywood 1977
Tom & the Heartbreakers first found fame in the UK and Europe before being recognised in their homeland during the latter half of 1978. Amongst the punk, roots reggae and new wave explosion of '77, they found immediate acceptance by UK and European audiences.
Pre-dating the 60's classicism that became popular in the 80's, via the Smiths and REM, to name a few examples. The Heartbreakers combined Byrds style riffs via Rickenbacker guitars with a strong rhythmic beat that influenced many bands of the era. Even the Clash were sufficiently impressed to rehearse an instrumental version of 'Anything That's Rock 'n' Roll' on the Vanilla tapes (see the 'London Calling' deluxe edition).
This show is a perfect reminder and celebration, of how brilliant those early songs and live shows were. Anything new by the JEMS team is usually the highest quality circulating version of the show available. The sound on this is excellent as always. If you need to hear more of the best '77 shows, the Record Plant and Roslyn FM broadcasts are commonly circulating.
Studio A, Capitol Records Tower,
Hollywood CA.
Broadcast by KWST 106 FM
Los Angeles CA
November 11th 1977
1st Generation FM Broadcast from The JEMS Archive
Transferred and Presented By Krw_co
Set List:
01. Intro
02. American Girl
03. Fooled Again
04. Breakdown
05. Listen To Her Heart
06. Don't Bring Me Down
07. Strangered In The Night
08. Anything That's Rock & Roll
09. Shout
Lineage: FM broadcast master > First generation copy > Nakamichi DR-1 (w/manual azimuth adjustment) > Creative Soundblaster X-FI HD Model #SB1240Wav (24/96kHz) > Magix Audio Cleaning Lab for track marks and edits > Wav 16/44.1 > TLH Flac (Level 8) No EQ or other tampering
The Band:
Tom Petty lead vocals guitar harmonica
Mike Campbell lead guitar
Benmont Tench keyboards backing vocals
Ron Blair bass backing vocals
Stan Lynch drums backing vocals
Notes: Capitol Studios, a recording facility which includes eight echo chambers engineered by guitarist Les Paul and three main studios, A, B, and C.
Thank you to JEMS for allowing us to transfer and present these shows to you.
Special thanks to Jared for his many years of taping & archiving.
Many Thanks to Butterking for making these shows available to everybody.
Finally a big thanks to ouster for such a superb site
LINK
--------------------------------------
#109 STEELY DAN - THE 'LOST' GAUCHO
original blogger's notes:
For many years, this was considered the holy grail of Steely Dan bootlegs, as it features a complete alternative Gaucho album including several unreleased songs from the Gaucho sessions that were not included on the eventual album.
As is known by most SD fans, Becker and Fagen had to endure various misfortunes during the long and grueling process of the making of Gaucho, which caused numerous delays in its release. Becker was hit by a car, one of their favorite new tracks "The Second Arrangement" was accidentally erased by an assistant recording engineer, and there was a dispute over which record company had the rights to their forthcoming album. MCA won the contract dispute (although Fagen and Becker had already signed to a new label, WB) but then decided to increase the album's list price to one dollar more than all other albums at that time. Donald and Walter tried unsuccessfully to fight the price increase.
Through all this, Fagen and Becker grew more and more disenchanted, and eventually scrapped much of what had been recorded previously, including several entire songs. Gaucho was eventually released in November, 1980. But the ordeal, politics, and aftermath of the making and remaking of Gaucho may have lead to Donald & Walter's decision to call it quits after this album.
The 'Lost' Gaucho is a complete album vastly different to what was released. Of the 8 songs included on the 'lost' edition, only three of these were tracks that appeared on the official album, in somewhat different form. 'Were You Blind That Day' was an early rendition of a song with different lyrics that finally appeared as 'Third World Man' on the released Gaucho. 'Time Out Of Mind' on the lost version is simpler, missing the embellishments added on the Gaucho version. And the title track here is just an instrumental. The rest of the tracks are original unreleased Steely Dan songs prepared for Gaucho, but not used. These include 'Kind Spirit', 'The Bear', 'The Second Arrangement', 'Talkin’ About My Home' and 'Kulee Baba', and have never been released in any form.
As to why so many songs were dropped from the final lineup of Gaucho, a case can be made that this early version was too close in style to 1977’s Aja - shorter songs, sweeter melodies and more accessible lyrics. The finally released Gaucho seemed purposely obscure, deep and complex. Was it to spite their record company MCA? Is it possible that The Second Arrangement was never erased but that Becker and Fagen concocted the story to avoid releasing what they thought was the better version of Gaucho? Listen and decide for yourself.
An alert blog reader who had recently downloaded these files, and who happened to be an audio engineer, noticed that the left and right channels were completely (180 degree) out of phase with each other, which resulted in cancellation and loss of sound from some frequencies (particularly low end), and an overall loss of fidelity in the recordings. I found that all the available sources also had the same out-of-phase problem, so it appeared that these were the versions that have been around the trading circles for years. Fortunately, correcting this type of phase issue is quite simple to do, and it is surprising that it has not been fixed before now.
Anyway, my new audio engineer blog friend, Anthony Ochoa, was interested in not only fixing the phase problem, but also going through the recordings and doing some EQ and clean-up work on them to bring them up to a higher sound quality. So, that is what he did, and his resulting work on The Lost Gaucho has restored these files to a much fuller, richer sound, almost to a commercial quality level with greatly enhanced sound quality
Steely Dan - The 'Lost' Gaucho
(Excellent studio flac)
01 Kind Spirit*
02 Were You Blind That Day
03 The Bear*
04 The 2nd Arrangement*
05 Talkin' About My Home*
06 Time Out Of Mind
07 Kulee Baba*
08 Gaucho (instrumental)
* unreleased in any form
-----------------------------
The released Gaucho (November 21, 1980) tracklist is as follows:
Side 1:
Babylon Sisters (5:49)
Hey Nineteen (5:06)
Glamour Profession (7:29)
Side 2:
Gaucho (5:32)
Time Out of Mind (4:13)
My Rival (4:34)
Third World Man (5:15)
Wiki notes the following:
"In addition to "The Second Arrangement", a number of songs were written for the album, but ultimately left off Gaucho. A number of these songs were included on a bootleg titled The Lost Gaucho, which represents recordings from early in the album's sessions. Song titles include "Kind Spirit", "Kulee Baba", "The Bear", "Talkin' About My Home", as well as "The Second Arrangement". An early version of "Third World Man" with alternate lyrics is included under the title "Were You Blind That Day". This recording dates from the Aja sessions."
LINK
Tuesday, 26 September 2017
#107 THE VERVE - Unreleased Urban Hymns (Flac)
Now the holiday season has passed, the music scene picks up with a deluge of new releases scheduled for release. A deluxe re-issue marking the 20 year anniversary of the release of 'Urban Hymns' by The Verve caught my eye, it's a box set consisting of five audio discs and one DVD.
Those that have only heard the album 'Urban Hymns' and none of the numerous cd single only tracks, released on the three (double pack) Hut singles in 1997, will be in for a bit of an ear opener. There was enough quality music available for the release of a quick, less comercial follow up to 'Urban Hymns' but a history of internal strife within the band put paid to any further releases, as they again split. They reformed for one further album 'Forth' a decade later. Tensions still exist between band members, recently Nick McCabe wrote on Facebook about the penultimate track on this set: "Richard doesn't want it releasing, because he knows how good it is"
This bootleg has therefore appeared in timely fashion. These eleven tracks were supposed to have been released on the recent 'Urban Hymns' reissue but unfortunately after the band approved them for release, Richard Ashcroft then vetoed them all. Nick McCabe showed a picture of the cd-r online. They were then leaked by an unknown source in the first week of September. Co-incidentally a YouTube uploader claims that they came from someone who works in the distribution department of the record company UMC. Whatever the exact story behind this, many fans have complained that these unreleased tracks should have been included on the box and it is undeniable that it would have made the set more complete.
The only non essential track is Original Insanity with its static noise, tinkling bell and crying baby. It was finished with guitar replacing the static noises and re-titled Deep Freeze for release as a bonus track on the Japanese edition of 'Urban Hymns'. The opener here, Sweet And Sour may sound familiar as it employs a drum track similar to that of Bittersweet Symphony. The Beat Nick mix of This Time is more stripped back and excludes the synth and guitar overdubs of the album track. The previously unreleased songs: Sweet And Sour, Wednesday Madness, Jalfrezi, Tina Turner, All Ways Are Maybes and King Riff 2 are all excellent
Original notes:
2017 Deluxe Edition Box Set Outtakes of fully mastered tracks approved by all band members
except Richard Ashcroft and subsequently leaked allegedly by guitarist Nick McCabe.
These tracks are flawless quality, professionally mastered by the same remastering team
and should have been included in the deluxe edition box.
The Verve - Urban Hymns Unreleased Studio Tracks
1. Sweet And Sour (5:22)
2. Wednesday Madness (4:49)
3. Neon Wilderness (Idea) (1:38)
4. Jalfrezi (4:40)
5. This Time (Beat Nick Mix) (3:49)
6. Tina Turner (6:49)
7. Oh Sister (3:31)
8. Sonnet (Acoustic demo) (3:40)
9. Original Insanity (1:36)
10. All Ways Are Maybes (4:46)
11. King Riff 2 (7:54)
LINK
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