Thursday, 18 March 2021

WIRE - The Unreleased Peel Sessions (Flac)

From 1977's 'Pink Flag' to the band's most recent albums, Wire, Silver/Lead, and 2020's Mind Hive, legendary art-combo Wire have created a unique body of work. Subverting genres, Colin Newman, Graham Lewis, Robert Grey and Matthew Simms continue to work on new material, regularly confounding expectations. 

The first three Peel sessions were released on a 'Strange Fruit' CD in 1989 and a re-issue in 1996. 

Wire recorded a fourth session in 1988 and then following their long lay off in the 90's they returned in 2002 with a series of EP's and their fifth and final session for John Peel. These two unreleased sessions sound so different from each other you would think they were two different bands, the 2002 session is more reminiscent of their punk roots.


Wire - John Peel session #4 - FM master

BBC Maida Vale Studios, London, UK
Recording: 24 April 1988
Broadcast: 10 May 1988


01 - Boiling Boy (see the 5th studio album A Bell Is A Cup - May 1988)
02 - German Shepherds (see the Silk Skin Paws EP 1988)
03 - Drill (see the Kidney Bongos EP 1988)

Length = 19:44

Lineage: BBC Radio 1 FM > Roof Aerial > Marantz ST151L Tuner etc.


 

Wire - John Peel session #5 - FM master

BBC Maida Vale Studio 4, London, UK
Recording: 21 July, 2002
Broadcast: 17 September, 2002

01 - Spent (see 'Send' - May 2003)
02 - I Don't Understand (see 'Read & Burn 01' EP - June 2002
03 - 1st Fast (see 'Read & Burn 01 EP' - June 2002)
04 - 99.9 (see
'Send' - May 2003, 1st album since 1991)

Length = 16:54



Lineage: BBC Radio 1 FM > roof aerial > Marantz ST151L FM tuner -> Creative SB Extigy soundcard etc.

 

LINK 1988 

LINK 2002

 

If you've been inspired by these two cracking sessions, for further information and news of the special editions of the groups first three albums, go to the official Wire site here: http://pinkflag.com/

Wire's three Harvest released albums in the 70's are often referred to as a kind of "accelerated development triptych". The differences between the reductive minimalism of 1977's Pink Flag and the layered baroque (albeit still minimalistic) of 1979's 154 show a staggering turn over of ideas, yet each album remains iconic.

Wire's debut Pink Flag, was originally released in December 1977 on EMI's progressive label 'Harvest' with it's 21 stripped down tracks and iconic stark sleeve. Dave Fudger reviewed it in the UK weekly music paper, 'Sounds' in December 1977. He wrote:

"The album has a scale and feel of it's own - totally unique. I can't recommend it enough. It's not like anything you've heard and it'll leave it's mark for a long time" 

Chairs Missing (1978) represented perhaps the biggest conceptual leap made during this period of Wire and was widely misunderstood at the time yet it remains to the band and production crew, Wire's favourite 70's album. The clarity of vision of the band at the time has been rewarded with a large appreciation in it's standing in hindsight the album also having been awarded (alonside Pink Flag) the distinction of a 10 rating by Pitchfork Media amongst many other plaudits.

154 (1979) was the first Wire album to be released to a universal set of five star reviews from the British rock weeklies. It represented the point when the British 'pop culture establishment' publicly recognised Wire's primacy. 

Nick Kent in the NME, Chris Westwood in the Record Mirror and Jon Savage in Melody Maker respectively wrote:

"154 makes 95 percent of the competition look feeble"    

"Wire are achieving a lot of things other - and more recognised - names have been striving for" 

"The album is a musical Tour de Force"

 




Wednesday, 10 March 2021

THE HOME SESSIONS from Nashville, Tennessee - July 2020 (Flac)

A couple of lockdown sessions from last year featuring two of the fastest rising stars in the US. Both were recorded at home in Nashville and broadcast on the Bob Harris radio show. Bob has long been an advocate of American music from way back in the early 1970's on UK radio and television.  


Thu 23 Jul 2020 21:00
BBC Radio 2 FM Stereo

Courtney Marie Andrews is in session,
The Country Show with Bob Harris


Bob's joined this week by the amazing Courtney Marie Andrews in session!, playing songs from her new album "Old Flowers".

“Old Flowers is about heartbreak,” she says. “There are a million records and songs about that, but I did not lie when writing these songs. This album is about loving and caring for the person you know you can’t be with. It’s about being afraid to be vulnerable after you’ve been hurt. It’s about a woman who is alone, but okay with that, if it means truth. This was my truth this year — my nine-year relationship ended and I’m a woman alone in the world, but happy to know herself.”

During the Covid-19 pandemic, when so many musicians are unable to tour, Radio 2's Country Show is asking artists to perform from their own front room, doing a little to keep the bond between artist and audience alive.

Country Show Home Session

01. Courtney Marie Andrews - It Must Be Someone Else's Fault 

02. Courtney Marie Andrews - Burlap String 

03. Courtney Marie Andrews - Speed Of The Sound Of Loneliness

 

 


Thu 30 Jul 2020 21:00
BBC Radio 2 FM Stereo

Margo Price in session,
The Country Show with Bob Harris


The amazing Margo Price joins Bob with some live music from her home in Nashville, songs from her new album "That's How Rumors Get Started" , an album of ten new, original songs that commit her sky-high and scorching rock-and-roll show to record for the very first time. Co-produced by Margo and longtime friend Sturgill Simpson, she’s singing about motherhood, the mythologies of stardom, Nashville gentrification, the national healthcare crisis, relationships or growing pains, and more.

That’s How Rumors Get Started follows Margo’s 2017 album All American Made, which was named the #1 Country/Americana album of the year by Rolling Stone, and one of the top albums of the decade by Esquire, Pitchfork and Billboard, among others. In its wake, Margo sold out three nights at The Ryman Auditorium, earned her first Grammy nomination for Best New Artist, and much more.

Country Show Home Session

04. Margo Price - Lettin' Me Down

05. Margo Price - Prisoner Of The Highway 

06. Margo Price - Stone Me

LINK 

Tuesday, 2 March 2021

Giggs sits in for Rodigan - 24 February, 2019 (complete show)


David Rodigan was absent from his BBC Radio 1Xtra show throughout February 2019 while he toured Japan, Australia & New Zealand. He invited guest-DJ's to sit in. The shows are usually take over by a fellow colleague on the radio station and these are often just an extension of that DJ's usual show. The best sit-ins take place when someone who is not a regular DJ comes in and takes over the microphone. 

Giggs (and Y.C. his dog) host David Rodigan's 1Xtra show, he selects the music he listened to growing up and that has influenced his own music and also selects his top three Jamaican albums of all time.

This is a superb radio show I've listened to numerous times. Giggs is an absolute natural in front of the microphone. He's warm, genial, witty and exudes a deep love for the music he plays. At one point he warns Rodigan that he's coming after his job - no idle threat when you hear this show.

If you were a Roots Reggae / Dancehall fan in the late 70's and 80's and your interest lapsed after digital rhythms took over. This programme is a perfect primer on what happened next. It includes selections from some of the greatest 90's singles and album artists. Excellent quality on this, play loud for best effect.

 


Sunday 24 February 2019 / 7-9pm
BBC Radio 1Xtra - David Rodigan show (Giggs sits in)


     part one:
01. Gentleman - Still Around (ft. Beenie Man) (
rel: 19 Jan '19)
02. Kabaka Pyramid - Reggae Music | Kontraband (
rel: 25 May '18)
03. Giggs - (Is It Gangsta?) Yes, Yes, Yes | When Will It Stop (
rel: 2013)
04. Garnett Silk - Lord Watch Over Our Shoulders (Greensleeves) (rel: 1995)
05. Tenor Saw & Buju Banton - Ring The Alarm (
rel: 1993)
06. Bounty Killer - Killer Sounds (ft. Future Troubles) (
rel: 1995)
07. Major Mackerel - Dutty Bungle (Don Ban) (
rel: 1988)
08. Major Mackerel - Disease (
rel: 1992)
09. Tiger - Come Again (Power House) (VP) (re
l: 198x)
10. Cutty Ranks - A Who Seh Me Dun (VP) (
rel: 1992)
11. Baby Wayne - A The Truth (
rel: 1993)
12. Bounty Killer & Ninjaman - Badman A No Cub Scout (rel: 1994)
13. Beenie Man - Blackboard (VP) (
rel: 1996)
14. Ward 21 - Haters (Jammys) (
rel: 1998)
15. Capleton - Raggy Road (Def Jam) (
rel: 1997)

      part two:
16. Capleton - Cooyah Cooyah | Still Blazin'  (VP) (rel: 2002)
17. Mavado - Top Shotta Nuh Miss (VP) (rel: 2007)
18. Koffee - Toast (Sony) (rel: 16 Nov '18)
19. Spragga Benz - Differ (ft. Sean Paul, Agent Sasco & Chi Ching Ching)         
     1Xtra live in JA, 6 Feb 2019 (unrel: 2019)
20. Stylo G - Touch Down (Remix) (ft. The Fanatix, Nicki Minaj & Ding Dong) (rel: 6 Dec '18)
21. Buju Banton - Stamina Daddy | Stamina Daddy #3 (rel: 1992)
22. Buju Banton - Gold Spoon | Stamina Daddy #3 (rel: 1992)
23. Buju Banton – General | Stamina Daddy #3 (rel: 1992)
24. Buju Banton - Laid To Rest | 'Til Shiloh #2 (rel: 1995)
25. Buju Banton – Murderer | 'Til Shiloh #2 (rel: 1995)
26. Buju Banton - Untold Stories | 'Til Shiloh #2 (rel: 1995)
27. Luciano - It's Me Again Jah | Where There Is Life #1 (rel: 1995)
28. Luciano - Who Could It Be | Where There Is Life #1 (rel: 1995)

LINK 

Recorded from the UK BBC i-player (basement sounds #70)

There is no tracking on this, as it would have introduced unecessary gaps. The show was recorded in two sections, the first hour and second hour for easier listening. It's available in the highest mp3 constant bit rate possible, 320k. Other recordings from digital sources will only be 128k or 192k, if the programme was recorded outside the UK. 

 

Recommended after hearing the programme

What a track this is, the rhythm hits hard and you can't help move to it, topped up with the most infectious and glorious trumpet solo.

 


Friday, 26 February 2021

SONGHOY BLUES - BBC Radio Session: 2019 (Flac)

Songhoy Blues bring their dynamic 'desert R&B' to the Music Planet studio, presented by Lopa Kothari. Staying with artists from Mali, this is a superb session I recorded some 18 months ago. The interview gives background on the band and the current political situation back home.

Music Planet BBC Radio 3 FM
Friday 30 August 2019 / 11pm-12:30am

Songhoy Blues session
broadcast 30 August, 2019

---------------------------------
01. Ai Tchere Bellé (3:42)              
02. Desert Melody > Interview pt. 1 (8:14)            
03. Ai Du (Ali Farka Toure cover) (4:07)        

04. Interview pt. 2 (4:13)
05. Hambour Durgna (4:17)
24:37
                    
The original version of cover track 03 appeared on Ali Farka Toure's collaboration with Ry Cooder, the superb 'Talkin' Timbuktu' album.

LINK 

Thursday, 25 February 2021

FATOUMATA DIAWARA - BBC Radio Session: 2018 (Flac)


Recording:

Using the tools available via my home stereo equipment and those online, audio editing programmes and the means to record digitally (without cassette tapes, mini discs and cd recorders, remember them!) I began recording radio programmes for the first time in some fifteen-years during 2017. It took a bit of trial and error to get recordings that I was satisfied with. As touched on in a previous post, an indoor aerial was insufficient for the job and I invested in an FM outdoor aerial which provoked some interest amongst the neighbours. This neat piece of kit enabled some strong FM signals to be captured and I have decided to pass some of the fruits of these on to you.

BBC Radio 3 FM:

During the time I begun experimenting with recording digitally I discovered that BBC Radio 3 were trialling the use of lossless FM broadcasts.

During the proms broadcasts, all other programmes were available in compression free FM Stereo. This was of interest to me as I had been searching and testing the BBC radio schedules for programmes to record. I had spotted that contrary to most opinions Radio 3 wasn't just for classical music and there were other types of music being broadcast, primarily on 'The Late Show' and 'World On 3'.

The latter programme was eventually dropped in an overhaul of the radio schedules, taking its place was 'Music Planet' with the same alternating DJ's - Lopa Kothari & Kathryn Tickell, fronting the new look programme. Essentially because of the new compression free FM broadcasts it seemed an ideal programme to record. 

The trial ran from mid July 2017 through proms season to the first week in September taking in the renowned Womad, Latitude and Edinburgh festivals. That particular year Radio 3 devoted a large portion of the schedules with live broadcasts and interviews from the Womad festival. Find an example here: LINK

I became a regular listener to the show at this time and have some excellent sessions and live performances from the likes of: Oumou Sangare, Toots & The Maytals, King Ayisoba, Ladysmith Black Mambazo, Afro Celt Sound System, Nooran Sisters & Martin Simpson.

This particular show comes from a year later, unfortunately the compression free broadcast experiment wasn't repeated and nearly four years later hasn't been put into practice. While FM through the air broadcasts remain it seems unlikely that it will become the norm although with better broadband facilities in the UK its time may eventually come.

 

Fatoumata Diawara in session

Presented by Lopa Kothari and featuring a specially recorded studio session by the Malian singer and songwriter Fatoumata Diawara, performing material from her new album Fenfo. 

DJ and broadcaster Alex Jordan reports from Kingston, Jamaica for this week's Road Trip with music ranging from classic ska and rocksteady to contemporary dancehall. 

Plus we have the new release from Thabang Tabane (South Africa) and the latest discovery from BBC Music Introducing.
 

Music Planet BBC Radio 3 FM
with Lopa Kothari  
Friday 20 July 2018 / 11pm-1am


t1 from BBC i-player, the remaining tracks are from the live FM broadcast

best of: 29 July 2018 broadcast

01. Eliana Cuevas - El Manantial | Golpes y Flores (Inakustic) * i-player recording, missed the beginning of the programme
02. Fatoumata Diawara - Don Do (Studio Session)
03. Orlando “Cachaíto” López - Redencion | Cachaito (World Circuit)

04. Road Trip from Kingston, Jamaica:
a Bob Marley & The Wailers - Simmer Down (Coxsone)
b The Kingstonians - Singer Man (Song Bird)
c Wayne Marshall - Glory to God (ft. Tessane Chin & Ryan Mark) (Kingston Hills Entertainment)
d Amindi K. Fro$t & Tessallated & Valleyz - Pine & Ginger (Big Beat)
e Chronixx - Likes | Chronology (Soul Circle Music)

05. Mélissa Laveaux - Nan Fon Bwa | Radio Sywel (No Format)
06. Fatoumata Diawara - N'Terini (In Session)
07. Fatoumata Diawara - Fenfo (In Session)
08. Waaju - Maroc (BBC Music Introducing)
09. Miriam Makeba - Kilimanjaro (Mixtape) | Lovely Lies / Kilimanjaro (London)
10. Fatoumata Diawara - Sinnerman (In Session)
11. Fatoumata Diawara - Kanou Den Yen (In Session)
12. Thabang Tabane - Nyanda Yeni | Nyanda Yeni (single) (Mushroom Hour Half Hour)

running time: 80:19

LINK 

01. Eliana Cuevas – El Manatial | Golpes y Flores (Inakustic, 2017)

Eliana Cuevas was born and raised in Caracas, Venezuela. In 1996 she moved to Canada and currently resides in Toronto, Ontario. Her latest album, Golpes y Flores is her sixth and has been described as a love letter to her troubled homeland. It won

the award for ‘World Solo Artist of the Year’ at the 14th Canadian Folk Music Awards in 2018.

The drumming and percussion on this track immediately draws you into the song and blends perfectly with her lilting vocal melodies.


Fatoumata Diawara - In Session for BBC Radio 3,  June 6, 2018

02. Don Do, 06. N’Terini, 07. Fenfo, 10. Sinnerman & 11. Kanou Dan Yen

Fatoumata Diawara was born in the Ivory Coast to Malian parents. As an adolescent, she was sent back to their native Bamako in Mali to be raised by an aunt. She moved to France to pursue acting and later took up the guitar and began composing her own material, writing songs that blend Wassoulou traditions of southern Mali with international influences.

She sings primarily in Bambara, the national language of Mali. Her second studio album, Fenfo (Something To Say) was released in 2018 on Wagram Music/Shanachie Records. This promotional session ostensibly to promote the album saw her appearing solo. As often happens with BBC sessions, the artist often opts to add something different to their performance and not content with appearing solo with her guitars and effects pedals, Fatou provides a version of Sinnerman, itself made famous by Nina Simone’s extended cover and by several versions from Bob Marley, Peter Tosh & Bunny Wailer.

Diawara is regarded as one of the most vital standard-bearers of modern African music, her new album is boldly experimental yet respectful of her roots, it’s a record that defines her as the voice of young African womanhood – proud of her heritage but with a vision that looks confidently to the future and a message that is universal. DJ Lopa Kothari discusses the themes and meaning of the selected songs for this session with Fatou in the short interview.


03. Orlando ‘Cachaito’ Lopez – Redencion | Cachaito (World Circuit)

‘Cachaíto’ was a Cuban bassist and composer, who gained international fame after his involvement in the Buena Vista Social Club recordings. In 1996 he was hired by Juan de Marcos González for his Afro-Cuban All Stars, signing to World Circuit, and at the same time becoming a member of the resulting Buena Vista Social Club project and appearing in Wim Wenders' documentary Buena Vista Social Club.

Cuban bassist Orlando "Cachaíto" Lopez, gained international fame as the bassist with Buena Vista Social Club. More importantly, Lopez's fluid, supple playing accompanied six decades of exceptional Cuban music-making - jazz, classical, mambo, salsa and fusion. In 1996 the young Cuban musician Juan de Marcos González hired Lopez as part of his Afro-Cuban All Stars. This large band was signed to the British label World Circuit. When the World Circuit boss Nick Gold turned up in Havana with the American guitarist Ry Cooder later that year, they initially hoped to record Cuban and Malian musicians playing together. Visa problems sabotaged this project, so they employed González to put together a band of veteran Cuban musicians. He brought Lopez in on bass and the resulting sessions were called Buena Vista Social Club.

World Circuit's 1997 Buena Vista CD proved a phenomenal - and unexpected - hit, selling over eight million copies and setting almost all the album's participants up with solo careers. Lopez was the only musician from the original sessions to play on all the following albums by the Buena Vista alumni.

After a career spanning some 60 years, Cachaíto made his debut solo album in 2001 the producers recorded Lopez's bass as the lead instrument, pairing him with musicians from across the globe and pushing his sound until it took on elements of dub reggae, ambient jazz and hip-hop. While the album was critically acclaimed, it proved too challenging to be a large seller.


04. Road Trip To Jamaica

featuring Bob Marley & The Wailers, The Kingstonians, Wayne Marshall, Tessellated & Chronixx

The road trip series is a regular spot on the Music Planet programme. A different country is selected and a resident discusses the local music scene and presents some tracks that give an idea of either the history and/or current styles of music. It’s an impossible task to select five tracks that encompass the history of Jamaican music, so we move rapidly from ska and early reggae’s past into the future with today’s newest dancehall and reggae rebel frequency artists. I can strongly recommend the Chronixx album 'Chronology' and if you are wondering what the rebel frequency is about see the new John Masouri book 'Rebel Frequency: Jamaica's Reggae Revival.'

 

05. Melissa Leveaux – Nan For Bwa | Radio Sywel (No Format) 

This track is from Haitian-Canadian singer-songwriter Mélissa Laveaux’s new album ‘Radyo Siwèl’. It was conceived around the songs sung during the American military occupation of Haiti from 1915 to 1936. Through her music Mélissa proudly explores her roots and brings back to life the stories, the songs, the crafts and the dreams of Haitian folklore and Voodoo culture.

 

08. Waaju - Maroc (BBC Music Introducing)

BBC Music Introducing is BBC Radio's platform supporting unsigned, undiscovered, and under-the-radar UK talent. It gives artists the opportunity to be played on BBC local radio and nationally. Tonight’s selected artist was Waaju, a London-based groove-centred world jazz ensemble that encapsulates many influences from West African music, with a particular focus on the music of Mali. The band plays the original music of drummer & percussionist Ben Brown which combines the exceptional spirit of the likes of Ali Farka Toure, Oumou Sangare, Tinariwen & Baba Sissoko with the spontaneity of jazz harmony & improvisation - resulting in an undeniably energetic performance!

 

09. Miriam Makeba - Kilimanjaro | Single B-side 1956 (London)

Miriam Makeba gave a voice to millions of oppressed fellow South Africans suffering from apartheid. She was banned from the country by the white government regime, who revoked her citizenship. Her voice continued to sing and protest against the regime putting South African music on the map from exile in Guinea.


12. Thabang Tabane - Nyanda Yeni | Single (Mushroom Hour Half Hour) 

Son of the late, legendary Dr Philip Nchipi Tabane and heir to the malombo sound that he originated and pioneered in the early 1960s, Thabang has been touring the world, playing with his father’s band and other South African luminaries since he was 8 years old.

Emerging into his own with his debut solo album, Matjale, this energetic percussionist carves a driving, joyous and worldly version of the malombo genre that takes in his continental travels. The album brims with ambition and an appetite for life. Employing brisk tempos, nimble basslines and intersecting polyrhythms, Thabang crafts songs cognisant of the hardships of life, but chooses to deliver them with an irrepressible optimism.

Expanding the parameters of what is essentially an artform patented by his father, Thabang and his cohorts infuse the sound
with a modern sensibility. His reverence for the vibrational resonance and drive of the bass guitar, not to mention his explosive bursts of hand drumming, gives the album an undeniable, cathartic exuberance. 

This was the first single taken from the upcoming album, 'Matjale' scheduled for release on 14 Sep, 2018.


If you have made it to the bottom of this post well done it's a bit lengthy but for good reason. 

If you are tired of listening to your usual favourite kind of music, give this a try it may set you off onto a different musical route. 

The artists that appear on this programme go virtually under the radar of the mainstream. When was the last time you picked up a copy of a music magazine and saw an African artist smiling back at you. Never! Well that's more than likely. 

There is an abundance of artists in Mali, as an example of one African country, setting the music scene alight. I've spotlit Fatou Diawara but there are numerous more, Tinariwen, Songhoy Blues, Mokoomba, Oumou Sangare & Tamikrest are also particular favourites of mine.  

Give this recording a listen and leave a comment if anything in particular has changed your musical outlook.

Monday, 1 February 2021

FRAZEY FORD - Live In Session (2020) Flac

Celtic Connections 2020
Another Country with Ricky Ross
BBC Radio Scotland FM Stereo

Tuesday 21 January 2020 / 9-11pm

Live music with Frazey Ford, Pieta Brown and Robert Vincent performing 'In The Round' at Cottiers Theatre as part of Celtic Connections 2020, Glasgow's annual winter music festival.

I missed the beginning of the programme and only kept the Frazey Ford section of the show. At the outer edge of FM reception for this BBC radio station, sometimes my recordings are marred by a poor signal depending on weather and atmospheric conditions, fortunately the sound on this one is really A+++

If you are familiar with the Americana genre you will know that Frazey was a member of the Canadian all-female band 'The Be Good Tanyas'. She went solo and released her first album Obadiah in 2010. Four years later it was followed by Indian Ocean and a further six years later by U Kin B The Sun in 2020.

This was one of the last pre-lockdown live sessions on British radio before the ban on live music. The interview is very interesting too, as Frazey discusses her methods of songwriting and her love of Memphis soul, whose influence shines throughout her last two albums and this performance. The musicianship on this live session is stunning and its well worth spending thirty-minutes of your time listening to it. An exclusive on the blog and hasn't circulated elsewhere. Following below the tracklisting are notes by the presenter, DJ and singer-songwriter, Ricky Ross.

-----------------------------------------------------------------------------------------

Frazey Ford - In The Round Session
Recorded at Cottiers Theatre, Glasgow on 21 January, 2020.
xx. Holdin' It Down (missed, not recorded)

01. Interview pt. 1 (1:42)
02. Money Can't Buy (4:04)
03. Interview pt. 2 (1:42)
04. Let's Start Again (5:03)
05. Interview pt. 3 (2:20)
06. Runnin' (5:43)
07. The Kids Are Having None Of It (5:15)
08. Azad (4:34)
(30:27)

recorded 21 January, 2020
by thebasement67

Lineage:
Denon tuner TU-250L > DAC > Audacity 2.1.3 > 16bit 44kHz Wav > WavLab6 > (tracking and editing) > TLH > Flac 8

 

-----------------------------------------------------------

There’s something about a round which is very special. To the initiated it’s a Nashville, Tennessee tradition. In truth I’m not certain where it started but its most celebrated home is The Bluebird Cafe on Music City’s west side. On any night of any week you’ll find a first and second house filled up with music loving locals and increasingly, visitors to the city, keen to experience one of the most celebrated experiences the home of country has to offer. The interesting adjoined to all this is that the songwriters in the round may not be familiar to any of the audience; it’s the songs that are the stars.

The format is simple. The writers gather in the centre of the room and seated round them at tables and a few (latecomers only) rows of chairs and a couple of bar-stools are the audience. One of the four will launch into a number and for the best part of two hours with a short intermission four songwriters will tell stories, sing songs made famous by a variety of artists (sometimes including themselves) and your heart will get broken and put back together as you walk out to the cool of a Tennessee night. For $20 or so, it’s possibly the cheapest, best night out ever.

There are legendary stories too. A couple of years ago Kacey Musgraves told us the great story of how she met Ruston Kelly after spying him one night at The Bluebird. It was music of course… but love and marriage followed. We are not expecting that at our annual Celtic Connections round this week although we have had one or two great friendships. We think John Murry met his next producer on a smoke break after one of the nights we hosted. At the Bluebird the story goes that one night in a quiet corner of the room an up and coming singer called Garth Brooks was in to see what was happening. It was there he heard a song he knew was perfect for him. On the night he heard The Dance he told the writer, Tony Arata, ‘When I get a record deal, I’m going to record that song.’ You probably know how that one worked out.

In the AC round this year we have three great writers and some fabulous guest musicians. From Idaho along with guests John McCusker and Michael McGoldrick Music, we welcome Pieta Brown. From Vancouver, for a return to our round, Frazey Ford and her band. And all the way from Liverpool, Robert Vincent. There are stories, a few laughs, the occasional tear and two hours of song after song from three wonderful artists. It was all recorded in Cottiers Theatre in Glasgow on Tuesday night.  (Ricky Ross, 24 January 2020)


LINK

Monday, 18 January 2021

#150 THE WATERBOYS - Glastonbury Festival 1986 (Flac)

The Waterboys are often mistaken for an Irish group but none of their original members were Irish. Lead singer and main driving force Mike Scott was born in Edinburgh, Scotland. The other original members included Anthony Thistlethwaite, born in Lutterworth England, Karl Wallinger, Prestatyn Wales and Kevin Wilkinson, Stoke-on-Trent, England.

Mike Scott went to Ireland in January 1986 to visit Steve Wickham for a week long trip that turned into a six-year stay. Karl Wallinger had left the band and started his own, World Party. This left the way for a change in direction amid the influence of Steve Wickham and Ireland. Mike Scott has said of this time, "Between April and July 1986, the fellow who fiddles, the human saxophone, Trevor Hutchison, Dave Ruffian and myself were the greatest band in the world." Make up your own mind while listening to this storming performance.

Mike Scott and the other members of the Waterboys have never received royalties or any money from the pre-FM source of this Glastonbury 1986 show and he has excluded it from their official discography, and regards it as nothing more than a bootleg. Which is good news for us meaning it can be posted here as one of the greatest bootlegs. 

Three of the tracks missing from that release have been broadcast on FM and all are included here. Only the opening track, a cover of “The Wayward Wind” (and also covered by Neil Young on 'Old Ways' in 1985), “Fisherman’s Blues and “Meet Me At The Station” are missing. 

Those familiar with the album 'An Appointment with Mr Yeats' (2011) will notice the early influence of WB Yeats in the music of Mike Scott. The 1986 live performances of ‘This is The Sea’ and ‘Spirit’ incorporated the lyric of ‘The Four Ages Of  Man’ and 'Savage Earth Heart' includes quotations from "Dirt" by Iggy Pop and 'Jerusalem' by William Blake.

The Waterboys
Pyramid Stage, Glastonbury Festival, England
20 June, 1986


01. Medicine Bow                         
02. Be My Enemy                    
03. Maggie's Farm (Bob Dylan cover)                 
04. Old England                    
05. The Thrill Is Gone / And the Healing Has Begun    
06. The Pan Within (incl. Because the Night)        
07. The Whole of the Moon                
08. Spirit / The 4 Ages of Man / Endless Store        
09. Savage Earth Heart / Dirt / Jerusalem        
10. This Is the Sea                             
      encore:
11. Saints and Angels                 

tracks 1 & 3 from FM 1 source, tracks 2, 4-9 & 13 from pre-FM, track 10 is from the second FM source


 The complete set was:

01. The Wayward Wind (Gogi Grant cover) x
02. Medicine Bow                         
03. Be My Enemy                    
04. Fisherman's Blues x
05. Maggie's Farm (Dylan cover)                
06. Old England                    
07. The Thrill Is Gone / And the Healing Has Begun    
08. Meet Me at the Station x
09. The Pan Within (incl. Because the Night)        
10. The Whole of the Moon                
11. Spirit / The 4 Ages of Man / Endless Store        
12. Savage Earth Heart / Dirt / Jerusalem        
13. This Is the Sea                             
      encore:
14. Saints and Angels                 

Tracks marked x are those missing, there is an audience recording of the whole show in circulation

 LINK

 

Lineages:

Pre-FM: CDr rip > WAV > TLH > Flac 8

FM 1: BBC Radio 1 FM -> Roof Aerial -> Marantz ST151L Tuner -> Aiwa ADF770 3-Head Cassette Deck -> TDK-SA (Type II) cassette tape (Master FM recording from the original 1986 BBC In Concert broadcast, by Chris Poor)

FM 2: FM - Cassette (master) - Audacity - xACT

The Band:
Mike Scott: vocals, acoustic guitar, electric guitar, electric piano
Anthony Thistlethwaite: sax, mandolin, electric mandolin, piano, backing vocals
Steve Wickham: fiddle, backing vocals
Trevor Hutchinson: bass
Dave Ruffy: drums, backing vocals (ex The Ruts)

Additional work:
Fade, edits plus volume boost on FM tracks to match the louder pre-FM source
WAV > TLH > Flac 8

tb67 - January 2021

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 BLOG UPDATE:

Looking at the stats , most blog users are based in the US, with the UK and France in 2nd and 3rd place. Since January 2012 there have been 2.88 million views of the blog with over a thousand comments! The blog hit a monthly high with 55,459 views in April 2016 and declined rapidly, after the links were lost that month due to the enforced closure of hosting sites. Exactly 3 years later the monthly views had shrunk to just over 10,000, Google’s new algorithm didn’t help much either. Since then we have climbed back upwards and are now hitting 32,000 per month. The all-time most popular posts are listed below:

1. PRINCE - Small Club 1988  #51

2. RADIOHEAD - In Rainbows: Live from the Basement 2008  #52

3. BLACK SABBATH - Asbury Park, NJ. 1975  #87

4. Bootlegs of the Year 2015-2020

5. NEW ORDER - Reading Festival 1993  #93

6. JIMI HENDRIX - Berkeley 1st show, May 30, 1970  #96

7. JIMI HENDRIX - The LA Forum 1970  #136

8. DAVID BOWIE – Toy  #27

9. BROADCAST - BBC Radio & TV Sessions 1996-2000  #102

10. TOM WAITS - Postaula, Bremen, Germany 1977  #98

11. LED ZEPPELIN - Earl's Court, London 1975  #91

12. BRUCE SPRINGSTEEN - Max's Kansas City Night 1973  #134

Thanks to all who have supported the blog, a surprise to see the number 4 position. Usually the most popular posts are those by legendary artists, so it’s amazing to see how highly regarded UK band, Broadcast have become.

As promised an extra 50 posts have now been added. What now? The ongoing pandemic has answered that question for me and we continue onwards with a selection of special posts with guest links (these will be available for a short time). 

Further posts include some of my FM recordings, celebrating some of the greatest disc jockeys that the UK has produced. Expect to see some shows and sessions from radio programmes by John Peel, Bob Harris, Andy Kershaw and David Rodigan. 

I also have some recordings from artists involved in the Americana scene, these include sessions and interviews and will be exclusive to this site.

Tuesday, 8 December 2020

THE BEATLES - Unreleased (Flac)


BEATLES - UNRELEASED

01. Love of the Loved - Decca Records audition January 1, 1962.
Unreleased Beatles song, Cilla Black used it for her debut single release in 1963  (Decca Audition)

02. I Saw Her Standing There - Private rehearsal,  Cavern Club, Liverpool, late 1962.
No harmonica on the final recorded version (For No One)

03. Bad to Me - Demo acetate, mid-1963.
Another unreleased Beatles song that was given away, this time to Billy J. Kramer. (For No One)

04. Roll Over Beethoven - BBC session, June 24, 1963.
A superior version than the one released on "Live at the BBC" with a longer guitar solo and better bass sound  (BBC-UB V3t53)

05. Sure to Fall (In Love With You) - BBC session, March 31, 1964.
Another superior take  to the one released. This Carl Perkins cover has a different bridge than the official selection from September 1963 (BBC-UB V8t48)

06. A Hard Day's Night - Take 4  April 16, 1964 EMI session
The reverbed guitar chord is attempted three times before a satisfactory beginning is taped. The track has some of the worst guitar playing recorded by George Harrison. (The Red Light’s On)

 07. I'm Happy Just to Dance with You - BBC session, July 17, 1964.
More mistakes by George Harrison, this time with the lyrics (BBC-UB V9t33)

08. What You're Doing - Take 11, September 30, 1964.
An alternate take that has noticeably more 12-string guitar (The Red Light’s On)

09. I'm a Loser - BBC session, May 26, 1965, Taken from the last session that the Beatles recorded for the BBC (BBC-UB V10t26)

10. That Means a Lot - Take 24 and "test" take, March 30, 1965.
Different than the Anthology take, a much faster arrangement that breaks down (The Red Light’s On)

11. Norwegian Wood - Take 2, October 21, 1965.
Again different than the Anthology 2 take; nearer the released version but the sitar is different and the track has a heavier beat (The Red Light’s On)

12. We Can Work It Out - Paul McCartney composing tape, autumn 1965
On this short extract Paul performs solo on vocal and acoustic guitar. (For No One)

13. She Said, She Said - John Lennon composing tape, early 1966
John performs solo on vocal and acoustic guitar. Early lyrics differ from the final version (For No One)

14. Strawberry Fields Forever - Home demo, Autumn 1966. John again performing solo accompanied by acoustic guitar. (The Red Light’s On)

15. Flying - September 8, 1967 - A Magical Mystery Tour instrumental, an alternate mix with a cabaret style ending (The Red Light’s On)

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16. Back in the U.S.S.R. - George's house, late May 1968 from the Esher demos recorded shortly before The White Album sessions (White Album deluxe Purple Chick)

17. I'm Just a Child of Nature - George's house, late May 1968 from the Esher demos recorded shortly before The White Album sessions.  An unreleased Beatles song that John reworked as Jealous Guy for his 1971 Imagine album. (White Album deluxe Purple Chick)

18. Revolution - Late May 1968 at George's house, from the Esher demos recorded shortly before The White Album sessions.  (For No One)
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19. I'm So Tired - January 3, 1969 from the Get Back/Let It Be sessions. Paul on lead vocals. 01/03/69 Disc 1: t39. 3.38 (2:32)  (A/B Sessions (Purple Chick)

20. Get Back - January 10, 1969 from the Get Back/Let It Be sessions. John on lead vocals. 01/10/69 (A/B Sessions (Purple Chick))

21. Besame Mucho - January 29, 1969 from the Get Back/Let It Be sessions. Fooling around on a song they used at auditions in 1962. 01/29/69 Disc 4: t03. 29.40 (2:27)  A/B Sessions (Purple Chick)

 22. Let It Be - January 26, 1969 from the Get Back/Let It Be sessions. This is an alternate version with Billy Preston's gospel sounding organ more prominent in the mix. It appeared on the first Get Back acetate which was the basis for one of the first and most popular Beatles bootlegs (Get Back ‘Elektra’ acetate)

 23. Something - Take 37, July 11, 1969. The violins are absent from this and it has a long instrumental coda cut from the final arrangement on Abbey Road. (Abbey Road deluxe v2 sessions (Purple Chick))

 24. Oh Yoko - May 26 to June 2, 1969, John & Yoko's hotel room, the Bed-In for Peace, Montreal
Acoustic guitar and lead vocals by John with Yoko contributing backing harmonies. An early version of the song that appeared on the 1971 Imagine album. (Complete Lost Lennon V12t23)

 25. Nowhere to Go - Circa late May 1970 George Harrison demo for All Things Must Pass
George solo on vocals and electric guitar on an unreleased song (The Art of Dying (All Things Must Pass Outtakes))

26. Long Tall Sally - August 29, 1966, Candlestick Park, San Francisco.
Less than a minute of the Beatles last live song from their final show, until the rooftop appearance in 1969. (Candlestick Park (Masterdisc))

Bonus hidden track
If I Fell - Convention Hall, Philadelphia, September 2, 1964. (CDR trade)



A listing of 30 of the most interesting unreleased Beatles tracks from the book "The Unreleased Beatles: Music and Film" was used as the basis for the compilation. It was compiled by me for the 100 greatest bootlegs blog (March 2016). The sources I have used are in brackets after the notes on each track.

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Note that two tracks from Richie Unterberger's list are missing from this post. These have now been officially released on the BBC sessions 'BBC Vol.2'

Beautiful Dreamer - January 22, 1963 BBC session. Saturday Club, broadcast 26 January 1963
Lucille - September 3, 1963 BBC session.  Pop Go The Beatles, broadcast 17 September 1963

The following track was not used:

If I Fell - Early 1964 John Lennon demo vocal and acoustic guitar
This is a very lo-fi recording with extremely low sound levels (Complete Lost Lennon V15t19)

Since I first posted this, the Esher demos have been officially released on the expanded edition of the 'White Album'. Three tracks originally included have therefore been omitted, the remainder of the tracks are as far as I know still unreleased.
 
Dedicated to the two John's, the other being my father who passed on the 9th December.



Link now unavailable because of the release of the Get Back/Let It Be sessions.
 
More information on the book that inspired this post can be found at this site:

http://www.richieunterberger.com/ubeatles.html
The Unreleased Beatles: Music and Film by Richie Unterberger




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