Wednesday, 11 July 2012

#16 PORTISHEAD - Live at Tower Ballroom, Blackpool 1995 (Flac)

Next up is another 90's band and again a BBC FM radio production, not pre-fm but a superb performance with sound quality to match.
Portishead released their debut album Dummy in 1994 it's now regarded as a classic and this live set not only features some of the best tracks from that album but includes two songs that would appear two year's later on their second self titled release. Also featured is a live performance of the UK b-side 'It's A Fire which appeared on North American and Australian versions of the debut release.





PORTISHEAD
Tower Ballroom, Blackpool, UK
May 25th, 1995

01. radio intro
02. Numb
03. Wandering Star
04. Mourning Air
05. Strangers
06. Over
07. It's A Fire
08. Glory Box
09. Pedestal
10. Sour Times
11. radio outro

BBC FM Radio broadcast

Thursday, 5 July 2012

#15 SMASHING PUMPKINS - bbc in concert #581 (Manchester 1993) (Flac)


Pre-FM BBC transcription disc
September 15, 1993
Manchester Academy, Manchester, UK. 
running time - 51: 16



The Smashing Pumpkins second album Siamese Dream was released in July 1993 and this blistering performance was recorded by the BBC on their third full European tour, the transcription disc concentrates on performances from the new album with only one track 'I Am One' appearing from the debut release Gish

Numerous superb quality Pumpkins recordings are available but this is the best one from '93 now that the Metro performance has been released on DVD 

1.             DJ intro (0:45)
2.             Quiet (3:34)
3.             Today (3:20)
4.             Disarm (3:13)
5.             Rocket (4:12)
6.             Hummer (6:57)
7.             Soma (7:10)
8.             Geek USA (5:01)
9.             Mayonaise (6:45)
10.           Cherub Rock (5:17)
11.           I Am One (5:47)

BAND:
Billy Corgan: vocals, guitar
James Iha: guitar, vocals 
D'arcy Wretzky: bass guitar, vocals
Jimmy Chamberlin: drums, percussion

LINEAGE: 930915 - Manchester Academy; Manchester, UK
BBC Transcription disc TCD 0661 "In Concert 581"
PREFM > CD > CDR


LINK HERE

Friday, 22 June 2012

#14 VAN MORRISON - Choppin' Wood (Flac)

In October 2000 Van Morrison began work on his second collaboration with Linda Gail Lewis. The previous month ‘You Win Again’ an album of rock ‘n’ roll, country and blues covers had been released.
 
This next album provisionally titled 'Choppin’ Wood' contained Linda Gail Lewis’s vocals and piano parts overdubbed on all bar one track.
 
Van started work on a rearranged collection, he began to record a new batch of songs and re-recorded Linda’s parts on some of their original recordings For reasons unknown he froze Linda out from the recording process and refused to let her hear any of the new songs, she quit the tour and the album was eventually discarded.
 
‘Down The Road’ took it’s place an inferior and bloated release compared to Choppin’ Wood.




VAN MORRISON
Choppin' Wood (2001)
Aborted Album Project

Source: Cdr > Eac > Flac level 6 align on sector boundaries
Artwork by JTT

01. Choppin' Wood
02. Hey Mr. DJ
03. The Beauty Of The Days Gone By
04. Down The Road
05. Princess Of Darkness
06. Just Like Greta
07. For A While
08. Mama Don't Allow
09. Meet Me In The Indian Summer
10. All Work And No Play

LINK

Thursday, 14 June 2012

#13 ROLLING STONES - live at Oakland Coliseum, Oakland, California November 9, 1969 (2nd show) (Flac)


Invented to capture live sound from remote locations during filming, the portable tape recorder could also double as a device to record a live concert. But how would it compare with a professional recording? The father of the modern bootleg, "Dub", answered any doubts on quality when he and his partner Ken issued Live’R Than You’ll Ever Be, on their TMoQ label [Trademark of Quality]. On Live’R was the second set The Rolling Stones played at the Oakland Coliseum in November, 1969, on the US tour that made their fame.

The quality made Rolling Stone magazine endorse the bootleg as a legitimate recording with a proper album review. Did the bootleggers have access to the soundboard and were the tapes bought from an insider?

"Dub acquired a Sennheiser 805 shotgun microphone and a UHER 4000 5-inch reel-to-reel recorder." This was state-of-the-art recording equipment at the time. Dub placed the equipment on stage in front of the onstage monitor speakers to capture the show as the Stones themselves heard it. Listening to it today, you can guess it was not too close to Charlie Watts’ drum kit, sparing us an ear-splitting headache. The guitars and Mick Jagger’s vocals carry the show from strength to strength. Mick Taylor’s fluid solos are a delight to hear.

The speed with which Dub issued his vinyl bootleg in December 1969, about a month after the show, and the enthusiastic reception it received among fans and music critics shocked the Stones’ record company. Decca had also recorded the Nov 27 and 28 shows at Madison Square Gardens in 1969 but had no plans for a release date. But with demand for live shows on the Stones US tour, Decca finally released their own Rolling Stones live album, Get Your Ya Ya’s Out on Sept 29, the following year, 1970. It was rumored to have been heavily doctored in the studio by The Stones for sonic perfection. It would have been an embarrassment to publicly acknowledge the bootleg’s quality. It had 10 tracks compared to the bootleg’s 16 which was the complete show from start to finish.



THE ROLLING STONES –
FROM SAN FRANCISCO TO PARIS
2001 Vinyl Gang Product

live at Oakland Coliseum, Oakland, California November 9, 1969 (2nd show)

1.        Jumpin' Jack Flash 4:25
2.        Carol 3:41
3.        Sympathy For The Devil 6:23
4.        Stray Cat Blues 4:15
5.        Prodigal Son 3:52
6.        You Gotta Move 3:14
7.        Love In Vain 5:22
8.        I'm Free 5:06
9.        Under My Thumb 2:45
10.     Midnight Rambler 7:41
11.     Live With Me 3:30
12.     Gimme Shelter 4:16
13.     Little Queenie 4:20
14.     (I Can't Get No) Satisfaction 5:58
15.     Honky Tonk Women 4:02
16.     Street Fighting Man 4:35

Comments: Contains original Oakland '69 2nd show versions of Jumpin' Jack Flash with sound drops and a partial version of Under My Thumb. Cover is a copy of the original Toasted (TMoQ) 2LP.

See here for more information on this most famous of recordings



Sunday, 27 May 2012

#12 PATTI SMITH - Live At The Bottom Line NYC. 1975 (Flac)

Patti Smith
The Bottom Line, NYC
December 27, 1975
Late Show




1   Lullaby (I Was Working Real Hard)
2   We're Gonna Have A Real Good Time Together
3   Privilege (Set Me Free)
4   Ain't It Strange
5   Space Monkey
6   Redondo Beach
7   Free Money
8   Pale Blue Eyes >
9   Louie Louie
10  Pumping My Heart
11  My Mafia
12  Birdland
13  band intros / tuning / talk
14  Land > Gloria
15  crowd / tuning
16  Time Is On My Side
17  My Generation
18  crowd / talk
19  Dedication

Taken from
WNEW-FM Reel Master > M-Audio Transit > Cool Edit > Cd Wave Editor > Flac

Running Time: 76:02

Bass - Ivan Kraal
Drums - Jay Dee Daugherty
Guitar - Lenny Kaye
Piano -  Richard Sohl
Vocals - Patti Smith

special guest on My Generation - John Cale





see this site for information on Patti’s bootlegs http://www.oceanstar.com/patti/info/bootlegs.htm

Monday, 14 May 2012

#11 MOGWAI - Reading Festival 2001 (pre-fm) (flac)


Those that have already downloaded the New Order - Reading Festival post will need no convincing of the quality of the BBC transcription discs. This is another, this time we move ahead eight years to 2001 when Mogwai headlined the Evening Session stage (named after a BBC Radio 1 programme)


Only six tunes but nearly an hour's worth of music. The set-list features four of Mogwai's best known tracks: Mogwai Fear Satan, New Path To Helicon, Ithica and the epic My Father, My King.

Reading Festival
Evening Session Stage
25 August 2001
Headline show on second stage.


Setlist:
01 4' Applause & Intro (Faded In) (0:04)
02 Sine Wave (4:14)
03 Mogwai Fear Satan (9:56)
04 You Don't Know Jesus (6:17)
05 New Path To Helicon, Part 1 (8:10)
06 Ithica (3:27)
07 My Father My King (25:13)

Generation:
BBC Mastered CD -> EAC V0.9 beta 4 (secure mode) -> FLAC frontend (level 8)
 

"Somehow, it's dark outside as Mogwai soothe our frazzled brains. They are magnificent..."
 a kittenpainting review

LINK HERE

Sunday, 6 May 2012

#10 THE DOORS - Isle of Wight 1970 (Flac)



Soundboard recording
August 30, 1970 (early hours of Sunday morning)
East Afton Farm, Isle Of Wight, England
69: 27

1970 was the third and final festival on the island until thirty-two years later. It drew a larger crowd than Woodstock and the Doors took their place on the bill alongside such live heavyweights as the Who and Jimi Hendrix. 

This is the complete show, an unmixed soundboard tape from a multi-track master recording. Some prefer the mix on the bootleg Palace Of Exile but it has a minute missing from The End and When The Music's Over is an edited version.

Scheduled for Saturday night, August 29th the Doors found themselves taking the stage in the early hours of Sunday morning due to the festival times over-running, a common occurrence in those days unlike modern festivals where everything is regimented and run like clockwork, witness the sight of Primal Scream’s Bobby Gillespie being manhandled offstage at Glastonbury when he decided that the band would play one more song

The set-list was dominated by tracks from the first two albums with only Ship Of Fools and Roadhouse Blues making an appearance mid-set from the current album Morrison Hotel. 

Just over three months later the Doors final live shows with Jim took place on December 11th  & 12th


TRACKS:
1.         Introduction - 0:18
2.         Back Door Man - 4:18
3.         Break On Through - 4:53
4.         When The Music's Over - 13:31
5.         Ship Of Fools - 7:37
6.         Roadhouse Blues - 6:07
7.         Light My Fire - 14:21
8.         The End - 18:18


BAND:
Jim Morrison: lead vocals
Robby Krieger: guitar, vocals
Ray Manzarek: keyboards, keyboard bass, vocals
John Densmore: drums, percussion


ORIGINAL NOTES:

The Doors, August 30, 1970 (Sunday)
East Afton Farm, "The Isle Of Wight Festival"
Isle Of Wight, England [Soundboard Recording]

Multi-Track Master > DAT > DAT > CDR > WAV >
Flac Frontend > FLAC (lvl 8, SBE aligned)

Dust out your Doors collection. Finally, from the vault of an anonymous Doors fan, comes a previously unsurfaced audio recording. Consider it a surprise present to Doors fans on Jim Morrison's birthday.

For years, The Doors' performance at the Isle Of Wight has only been available in an edited or incomplete form. The most popular release, "Palace Of Exile," is missing over a minute in the middle of "The End" and the intro to "When The Music's Over" is severly edited. Audience recordings of the show are missing "Roadhouse Blues." Previously on this site someone offered a matrix of the audience and soundboard sources in order to recreate the complete concert in the best quality available. Now for the first time, we have a master DAT source for the COMPLETE Isle Of Wight concert in perfect soundboard quality. At almost 70 minutes total, this is as good as it gets until an official release gets made -- if one is ever made.

This comes direct from the multi-track master recording. Quality is near perfect. The only downside is that the stereo separation isn't very good. It sounds like it's an unmixed copy of the multi-track master. So you'll hear Ray's organ more in the center than it should be and Ray's vocals are mixed way down so you don't hear them at all during "Break On Through" and other songs. (A good thing for some?) Still, I would place the overall quality as better than "Palace Of Exile." Little to no hiss. Bass level is much more reasonable. Sharper sound quality overall.

Now just what did I do to the original recording before posting it here? Thankfully, not much. There were a handful of clicks/pops throughout the recording that I removed individually using Adobe Audition. (The glitch during the announcer's introduction is on the original tape and couldn't be repaired without cutting it down.) I also swapped the channels so that Robby's guitar is in the right channel where it should be. The biggest change I made was balancing the channel levels and bringing everything up. This small change really punched up the sound compared to the original transfer. There was no EQ or other tricky business involved. Sounds pretty damn good, if I do say so myself. If anyone wants the original transfer, I'm open to trades.

One small note: About 4:29 into "The End," the music drops out for about 5 seconds and you only hear Jim's voice. Not sure why, but "Palace" doesn't have this mixing error. Also, regarding the date of this performance: The Doors were scheduled to play on August 29th, Saturday night, but didn't actually get on stage until 2:00am on Sunday morning, August 30th. Hence the date I have listed. (Date information taken from Greg Shaw's book, The Doors On The Road.)

A big thank you to the Doors fan who shared this rare tape. He/She wishes to remain anonymous on this one. I'm merely acting as middleman, and I'm happy to do so.  -Porsche

Sunday, 29 April 2012

#09 BECK & THE FLAMING LIPS - KCRW 2002 (Flac)

Beck’s Sea Change was a downbeat album reflecting on his broken relationship with long-term girlfriend, the designer Leigh Limon. It was released in September 2002 and the resulting tour featured the Flaming Lips as his opening and backing band.

They also recorded together for this partly acoustic session on KCRW’s Morning Becomes Eclectic radio show, Christmas Eve 2002, and previously in November for the Austin City Limits show.

This is a more collaborative performance than Austin City Limits where the Flaming Lips sound like any other backing band, here there can be no mistaking their influence on Beck’s live sound.

Versions exist with the interview sections but this remastered source by thir13en contains only the music.  The ten-minute interview with the camera running is available on YouTube, the look on Beck’s face while Wayne dominates the interview is priceless

1.       Golden Age
2.       We Live Again
3.       Cold Brains
4.       Do You Realize ?
5.       Lonesome Tears
6.       Lost Cause
7.       Little One
8.       Paper Tiger
9.       New Pollution

Beck Hansen (vocals, acoustic guitar, tambourine)
Wayne Coyne (vocals, guitar, keyboards)
Michael Ivins (bass)
Steven Drozd (guitar, keyboards, vocals
Kliph Scurlock (drums)
Greg Kurstin (keyboards, vocals)

     KCRW FM Radio Broadcast
 December 24 2002
 KCRW, Santa Monica, CA
 34’23
------------------------------------------------------------------------------
original notes

**Remastered** by thir13en

Beck
w/ Flaming Lips
2002-11-24
KCRW
Santa Monica, CA

Another great in-studio Beck performance, and during his tour with the Flaming Lips as his band. This is fine quality stuff here, from the first to the last note, it's a real nice ride.

I've heard a few sources of this show and come across a few different lossy sourced ones as well. While I wouldn't suggest taping shows from a Grundig radio, this one was the best source I've heard. Much gratitude to our taper for making it happen with the tools that were handy at the time. I cleaned up the static a bit and then smoothed over the spectrum, maximized.

It's a very clear recording, KCRW does exceptional work yet again.

PRE-13 SOURCE INFO

Lineage: Grundig Yachtboy FM radio>G4 OEM minijack input>16 bit aiff>edited, normalized, tracked with Sound Studio>FLAC8 via Xact.

Recorded with a portable radio because my thrift store tuner died the day before.
A stellar performance, more FM noise than usual due to the Grundig radio.
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